TOThe Italian production Netflix is added a new chapter. Real males It is the new series that, through the Comedy filter, investigates the social changes related to male identity. Available from 21 Maytells the events Of four friends in the forty: Mattia, Massimo, Riccardo and Luigi, convinced that he perfectly knows who they are and what they want. Yet, in a world that moves more and more towards inclusiveness and gender equality, they too are forced to review their certainties and attitudes. The series addresses the theme with lightness, but without superficiality: the comparison with the crisis of traditional roles and with its own fragility is at the center of the narrative.
The faces of Real males
The cast of Real males It is composed of interpreters highly appreciated by the Italian public. Maurizio Lastricoknown for its comic monologues and for the role in Don Matteoor in cult films such as Madlylends the face to Mattia. Matteo Martarialready seen in Do not killplays Massimo, while Francesco Montanarifamous as “the Lebanese” in Criminal novelis Riccardo. Pietro Sermontiknown above all for his role in Boris And A doctor in the familygives life to Luigi. Around them, a prominent female cast with Thony, Sarah Felberbaum, Laura Adriani and Nicole Grimaudo, which add depths to couple dynamics and relational issues. The script is signed by Furio Andreotti, Giulia Calenda and Ugo Ripamonti, while at the direction we find Matteo Oleotto and Letizia Lamartire, known for her work in the series Baby. And, icing on the cake, a nice cameo of Selvaggia Lucarelli.
A solid production for a current issue
Produced by Greenland, a company of the Banijay group founded by Matteo Rovere, Real males It is part of the growing offer of Italian content on Netflix. The series is based on a successful Spanish format, created by Alberto and Laura Caballero, Daniel Derador and Araceli Álvarez de Sotomayor. In eight episodesthe series alternates comic situations and more intimate moments, showing how the figure of the “Alfa male” must today confront new models of behavior. This is not a frontal criticism, but an empathic story, which invites reflection without giving up irony. A proposal suitable for a transversal audience, capable of speaking to men, but also of involving those who want to see a change.
I woman © RESERVED REPRODUCTION