Etiket: Review
Dahmer – Monster: the story of Jeffrey Dahmer: the review by Aldo Grasso of the tv series on Netflix
D.AHMER – I SHOW JEFFREY DAHMER’S STORYGenre: detective, biographical, dramaticDirection: Ryan Murphy and Ian Brennan. With Evan Peters, Richard Jenkins, Molly Ringwald. On Netflix For a few weeks there has…
Metamorphosis by Emanuele Coccia: the review by Serena Dandini
Serena Dandini (photo by Gianmarco Chieregato). No.We have not experienced the terrible medieval feuds between Guelphs and Ghibellines and lords of every contrada in struggle with each other of Dante’s…
Utama – The forgotten lands: the review of the film by Alejandro Loayza Grisi
UTAMA – THE FORGOTTEN LANDSGenre: dramatic ✦✦✦Direction: Alejandro Loayza Grisi. With José Calcina, Luisa Quispe, Placide Ali, Félix Ticona Climate change is not a theoretical problem but an existential question…
Review: Loyle Carner :: Hugo
“I fear the color of my skin”: success, influence, attention, that’s all well and good, but as a black Brit, can you really feel free in a society shaped by…
Review: Frankie Cosmos :: Inner World Peace
The never ending story of … Covid and how the pandemic changed the lives of our beloved artists. As far as the band Frankie Cosmos is concerned, it was initially…
Taylor Swift: “Midnights” – Music by a Mastermind, No Doubt (Review & Stream)
Who is Taylor Swift anyway? This question has been asked anew with every album since she released her debut in 2006 at the age of 17. Each new work seemed…
Review: Arctic Monkeys :: The Car
20 years of Arctic Monkeys – the band celebrates themselves by staying true and unfaithful at the same time on their seventh album. Loyal because THE CAR offers no further…
Review: Pip Millett :: When Everything Is Better I’ll Let You Know
She doesn’t have to be so explicit for her singing to make you think of Lauryn Hill, but because Georgia Willacy aka Pip Millett includes the line “everything is everything”…
Review: The Libertines :: Up The Bracket (20th Anniversary Edition)
The rebirth of rock ‘n’ roll has a date: it’s October 21, 2002. That’s when UP THE BRACKET, the Libertines’ debut album, was released. London-based Carl Barât (vocals, guitar), Pete…
Review: Dry Cleaning :: Stumpwork
So now they’ve made the weird second album that any band can throw out that’s progressed so far with their debut that going further, faster, higher, prettier, and smarter would…