Recommendations of the editorial team
In the spring of 1992, The Cure surprised the music world with a song that somehow didn’t want to match the band’s dark image: “Friday I’m in Love”. A carefree, almost naive pop piece that quickly developed into one of her greatest successes. But behind the catchy tune there is a story full of doubts and small coincidences.
Robert Smith, singer and creative head of The Cure, once remembered in an interview with “Guitar World” As follows to the creation of the song: “I drove home on a Friday afternoon to enjoy the weekend when I came up with a great chord sequence. I was about 20 minutes away from the studio, so I turned and turned back. Everyone was still there and we picked up the song the same evening.”
The Cure and “Friday I’m in Love”: Everything just stolen?
Originally titled as “Friday”, the song quickly developed into one of the most catchy pieces of the band. He should capture this feeling to start the weekend on Friday afternoon: “This is something you have at school and many people work in jobs that they don’t really enjoy. So you look forward to this Friday afternoon feeling.”
Despite the ease of the song, Smith plagued ARGE doubts: “I could not believe that nobody had used this chord sequence beforehand. I asked everyone I knew whether it seemed familiar to them. Nobody realized her, so I realized that she actually came from me.”
The simplicity of the song was a challenge for Smith: “Writing real, stupid pop texts is much more difficult than my usual warm outbreaks,” the musician told the Wish a few months after the release of the album “Spin”.
Technical coincidence with great effect
A technical error also gave the song its characteristic sound. Smith accidentally activated the VARI-speed function of the recording device, which increased the song by a quarter tone. He liked the result so much that he retained it.
The music video for “Friday I’m in Love”, filmed by Tim Pope, reflects the playful nature of the song. In just two hours, the band shows in the middle of changing backdrops and props, including allusions to silent film classics. Pope himself has a cameo appearance as a director on a rocking horse.
The song achieved sixth place in the British charts-the song in Germany kept for 23 weeks in the single charts and at least climbed up to 16th place. Despite the success, Robert Smith had mixed feelings: “It was always paradoxical that we were constantly presenting us as a goth band. For the general public, we are not the guy for taxi drivers who is, the type I’m in love ‘ Singing.