D.after the success of last spring, Francesca Fagnaniis ready to come back with Beasts. Tonight in the late evening on Rai 2 airs there first episode of the new season. The appointment is inserted in the schedule at 11.50 pm, immediately after the broadcast of de The College 7.
Beaststhe guests of the first episode: Wanna Marchi and Eva Robin’s
To open the new cycle of twelve episodes I am Wanna Marchi and Eva Robin’stwo names of weight. Two strong women with many facets, which have always been able to arouse clamor. Over the course of the sixty minutes, the two guests, first one and then the other, allow themselves to the presenter for an unpublished interview, starting from the usual question: “What beast do you feel?”.
Wanna Marchi sits on the stool of the Rai 2 program after the release of the Netflix series, Wanna, and after serving the sentence in prison. So, together with Francesca Fagnani retraces its own history. A unique case in Italian television, which transformed an anonymous Emilian beautician into one of the most popular and representative characters of an era.
From promising beginnings to success, the step is short. It was the 1980s and, in a short time, she became the largest television seller. Between Belly loosers and miracle creams proposed with a technique bordering on bodyshaming, it is convincing. Success is unstoppable and turns into money. Become a money machine and be alone the beginning of his ascent.
On this journey in stages, Fagnani investigates the psychology of his guest, trying to fathom her thoughts and memories. In particular, the long phase in which it sold the lotto numbers. On the one hand, an expedient that stuffs her pockets, turning her into a billionaire woman; on the other, the bridge that later leads her to prison.
Experience, the latter, which he shares together with daughter Stefania Nobile. Rai announces an interview “with many nuances”in which there is no shortage of several moments of tension and sudden second thoughts. After a first admission of guiltin fact, she is ready to retract a moment later.
Plausible anticipations and in line with interviewee e interviewer. The hostess, in fact, is smiling, welcoming and accommodating, but he knows where he wants to go. Those who accept the invitation are aware that the risk of being cornered is high. After all, the program is called Belve, nomen omen.
Eva Robin’s, between the transition process and the abuse suffered at the age of 8
Continue with Eva Robin’s, one of the first trans to have conquered the limelight. Born in 1958, born Roberto Maurizio Coatti, she has made a name for herself on the small screen since the 1980s. Between interviews and guests, she has had the spotlight on herself for almost two decades.
TO Beasts retraces his own professional, but above all personal, history. The actress lets herself go to an unfiltered story in which she focuses on the various phases of the transition process that he faced. In addition, it brings to the attention of the presenter a painful experience, which marked her, that is, a terrible one episode of abuse suffered when he was only an eight-year-old child.
Francesca Fagnani wins three second evenings a week
Designed by Francesca Fagnani, Beasts is in its seventh edition, the third Rai 2 license plate. After the first years on Nove, in which the format began to make its way into the maze of the small screen, it landed on public TV. A landing that has conferred the consecration to the hostess and gave the public a small television jewelabsolutely to be preserved.
There captivating formulaconsisting mainly of question and answer not always accommodating, made the program become a real cult. The credit goes to the presenter, who under a sweet smile, she knows how to navigate between the words and the looks of those who sit in front of her. A tried and tested technique, which has given the program a great achievement.
In fact, we go from one weekly appointment to three. An interesting idea to further retain the audience, hungry for in-depth interviews, not taken for granted, which aim to deconstruct the guest. The goal is to deliver a portrait as truthful as possible, free from hypocrisy and superstructures. And it is always achieved.
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