This is how diversity is in the German charts

On May 31, 2022, the tenth Diversity Day will be celebrated nationwide. To mark the occasion, the French music platform “Qobuz” took on the German charts to check their diversity. For this purpose, all top 20 chart songs since the year 2000 were examined and sorted by gender and genre. Female members of bands were also taken into account. The company found that at 74 percent almost three quarters of the top artists are men and women at 26 percent make up around a quarter of the chart landscape. “Qobuz” also claims to have found that the proportion of women in the charts has reached its “absolute low” in 2021.

An American study was the model

The study is said to have been based on a previous study by the University of Southern California Annenberg. Last year, this would have examined the US chart songs with regard to the gender of their performers. It found that in 2020, only a fifth of all top hits in the US came from women. The values ​​of the past few years would have looked even worse. Inspired by the idea, “Qobuz” analyzed the German charts and came up with similarly low quotas for women.

Lowest quota of women achieved in 2021

Last year only a total of seven percent of the hits from the German top 20 charts were said to have come from women. This value is the lowest that could be determined within the years 2000 to 2021. For the first time, the number fell below ten percent. Only Olivia Rodrigo, Måneskin bassist Victoria De Angelis and rapper Badmómzjay would have made the seven percent quota possible. This means that the charts are backwards in terms of diversity.

The peak of 49 percent women in the charts was recorded in 2002. Singers like Shakira, Nelly Furtado and P!nk kept the quota high, as did girl groups like Las Ketchup with the “Ketchup Song” and the formation No Angels, which emerged from the talent show “Popstars”. The proportion of women was also very high in 2001 and 2010 (39 percent each).

“Talent women need to be heard and supported”

Most recently, “Qobuz” manager Mareile Heineke notes that there is still room for improvement in the hip-hop industry in terms of diversity: “Six of the eight chart positions in the hip-hop genre were achieved by German rappers, which shows that native hip-hop is most popular in Germany. However: Diversity suffers here too, because even in the top year for hip-hop 2020, no female rapper made it into the German charts.”

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