Stronger than fate, the previews of the latest episode on Canale 5

Stronger than fate: the plot of the last episode

It starts from the scenario opened byarrest of Libero (Leonardo Pazzagli), who now risks being sentenced and hanged. In fact, place the responsibility for the fire that devastated Palermo on the anarchists is the perfect solution to protect the real culprits.

Arianna’s courage

Removed from everyone, the only person who can really help him is Countess Costanza Di Giusto (Dharma Mangia Woods). The woman decides to speak to the press in an attempt to save the man she loves. A noble gesture, which however sends Guglielmo di San Martino, Duke of Villalba, played by Thomas Trabacchi, into a rage.

Moreover, the gesture risks getting his father, Augusto into trouble (Paolo Sassanelli), crushed by debts and perhaps the real culprit of the stake. On the evening of the fire, in fact, the flames broke out from the cinema that he himself had brought to the city. Ua recently emerged circumstance and which risks overwhelming him.

Antonio’s revenge

To this nefarious scenario is added another negative circumstance: the marriage between the daughter and the Marquis of Entella Antonio Moncada (Teodoro Giambanco) is canceled. It was Antonio himself who decided it after seeing Costanza kiss Libero, and it was always he who brought him to justice, in order to get revenge.

Arianna wants to save Camilla and herself

in the meantime Arianna (Giulia Bevilacqua) she lost the man she hoped to make a new life with, Saverio Mancuso (Stefano Rossi Giordani), killed by her husband Guglielmo. After that she comes back in the conjugal house, but William keeps her prisoner. Stubborn and determined to escape from her husband’s clutches soon, she manages to hug him again his daughter Camilla. She promises the child that they will soon run away together, far from Palermo and that golden cage.

Also Rosalia (Laura Chiatti) is a prisonerbut of the Marquise of Buonvicino, Donna Elvira (Loretta Goggi), who forced her to assume the identity of her daughter Margherita (Francesca Valtorta), who died in the fire. Also, he has recently returned Ferdinando Pennisi di Carini (Davide Paganini), the husband of his daughter, who does not notice the exchange of identities.

Rosalia finds her husband Giuseppe

At the palace, Rosalia (Laura Chiatti) faces another problem. Pennisi has recently hired the new coachman, Giuseppe Catalano (Giovanni Anzaldo), the husband whom the woman believed died in the flames that broke out in the evening that devastated the city.

Finally Donna Elvira throws a gorgeous party. And during the event, in the presence of the Palermo aristocracy and the most prominent and most powerful exponents of the city, Rosalia makes an unexpected revelation which risks unhinging the already precarious balance.

Giulia Bevilacqua and Laura Chiatti. (Mediaset)

Three heroines stronger than fate

Stronger than fate is a costume series that tells the story of Sicilian society of the late nineteenth century, but also tells a story of women’s emancipation. During the episodes, the three protagonists have grown uptheir role has been strengthened within the story, to the point of becoming the pivot around which the whole narrative revolves.

The fire causes their certainties to crumble with the same speed with which the pavilion in which the flames broke out was destroyed, but perhaps it also represents a lifeline for their non-conformist personalities. They are the only ones, in fact, to rebel against the injustices of the society of the time and each of the three tries to do everything to succeed.

They know that the price to pay will be very high, but they do not give up. On the contrary, they are willing to face unscrupulous men and to betray their family in order not to betray their ideals.

Libero (Leonardo Pazzagli).

Commissioner Marchesi, the only man on their side

In this context, the only man to take their side is Commissioner Marchesi (Sergio Rubini). He is also the only one to put the dots together and understand that the hunt for Libero by the nobles is just a pretext to find a culprit and thus remove any suspicion.

A modern character, which is detached from the machismo of the time. A man who firmly believes in values ​​of honesty and dignity. And precisely in the name of his dignity, when he is arrested for aiding and abetting against Libero, he affirms with great courage: “A policeman like me would rather die standing than live on his knees in front of power.”

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