Sofia Coppola and Greta Gerwig, how the directors dress

Stsophisticated and essential, or eclectic and surprising. Among the numerous figures that animate the world of cinema and festivals (such as the one in Venice), female directors are carving out an increasingly important space for themselves, also from a stylistic point of view. From Sophia Coppola to Greta Gerwigpassing through Olivia Wilde and Emerald Fennellit is the style choices on the red carpet and on the set that increase the charm of these creative personalities, ready to earn the title of fashion icons.

From the typical bon ton of Sofia Coppola, to the decorated and brightly colored dresses of Greta Gerwig, up to the revealing silhouettes of Olivia Wilde, the most loved and critically acclaimed filmmakers know how to reveal themselves as true fashion experts.

From Kathryn Bigelow to Jane Campion, winning uniforms

What must thedirector’s outfit in a historically male-dominated environment? Authority, self-confidence, femininity, in short: the personality of the wearer. Kathryn Bigelow, for example, to collect the Oscar for Best Director, in 2010, chose a snug sleeveless dress with a train. The perfect mix of romanticism and essentiality, an aesthetic balance typical of Bigelow’s wardrobe, which prefers cold shades, shiny fabrics and which does not give up sneakers even on the red carpet. Self Chloe Zhao the New Zealand director had made headlines for looks dedicated to comfort Jane Campion she almost exclusively sports total black outfits: tailored suits or loose silhouettes that stop below the knee, illuminated by her blonde hair.

Sofia Coppola, the most fashionable director

With the assets of creating a brand became a cult in the 90s, an internship at the court of Karl Lagerfeld and a long friendship with Marc Jacobsit is not surprising the visceral relationship between Sophia Coppola and fashion. A relationship that is expressed above all in his films, from Marie Antoinettethe pinnacle of a glamor that transcends time, a Bling Ringsstory of a group of criminal fashionistas, until the expected Priscilla, just landed in the Lagoon. But above all it is personal style of the American filmmaker to have achieved the status of instantly recognizable.

Suit in tweed of Chanel with a knee-length skirt, accompanied by voluminous blouses or printed T-shirts. Relaxed-fit jeans worn with a double-breasted blazer or striped T-shirt, paired with two-tone flats or block-heeled slingbacks. On set, he never gives up on designer striped shirts Charvet and tailored cut black trousers flare. The color scheme that best represents it is the black and white, which he only gives up on the red carpet in favor of golden details and metallic flashes, always within the confines of palazzo suits, empire-style dresses or floral dresses. Perfect example of a capsule wardrobes well studied and never boring, sublimated by one coolness innate impossible to replicate.

The eclecticism of Greta Gerwig and the sensuality of Olivia Wilde

The director of the most watched film of summer 2023 has shown a certain knowledge and originality also in terms of fashion. While at the premieres she opts for pullovers, pleated skirts and suits with fitted blazers, on the red carpet Greta Gerwig he is not afraid to dare. Asymmetrical cuts, rhinestones and crystals, oluent decorations and deep shades, the keyword is to experiment – and have fun.

First as an actress then as a director, Olivia Wilde knows how to charm on the red carpet. Transparencies, sequins and trains alternating with hers signature look: the suit with jacket worn close to the skin and flared trousers, even better if in velvet. Seventies inspiration enhanced by platform ankle boots or sneakers with a vintage allure.

Sofia Coppola, Greta Gerwig, Ava DuVernay or Emerald Fennel: every director has his own style. Behind the camera as on the red carpet.

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