Series of the week: “Paper Girls” (review & stream)

The flood of series is now so great that nobody can keep an eye on everything – and in 2022 a few great series slipped through that we don’t want to leave unmentioned. Amazon Prime Video’s marketing department didn’t pull through this time. Apparently. Because I’m sure one of them came up with the idea of ​​promoting “Paper Girls” as “Stranger Things” with girls.

It wouldn’t have been too far fetched either. Finally, the series tells the story of four schoolgirls who work as newspaper deliverers in the 1980s and who find themselves in a fantastic parallel world and travel through time. The series is based on a 2016 comic by Brian K. Vaughan and Cliff Chiang, which won the Eisner Award for Best New Comic Series, among other awards.

And instead of trying to imitate the tone of “Stranger Things”, the comic book adaptation stays true to the template, reminds – also because of the modest budget – in its rather austere, gloomy aesthetics more of “Doctor Who” and comes across as much bulkier, less nerd- in love and actually a lot darker than the Netflix hit series – the tasteful soundtrack, in which Danzig, Pavement and New Order meet, also contributes a bit to this. (Amazon)

SIMILAR REVIEWS

Show of the week: “Hacks”

With Jean Smart, Hannah Einbinder

Series of the week: “Heartstopper”

With Joe Locke, Kit Connor, Yasmin Finney

Series of the week: “Love Addicts”

With Annette Frier, Dimitri Abold, Sesede Terziyan

SIMILAR ARTICLES

Series of the week: “The Funeral”

The ARD six-parter with improvised dialogues and a great cast is terribly realistic, sometimes it veers into the slightly grotesque.

Series of the week: “The discounters”

A lot was improvised in only 23 days of shooting, most of it is actually very funny. There’s a bit too much fecal humor and cheap punch lines, but what’s really a shame is that the season ends with a gag reflex – in episode nine, while the tenth only shows a making-of.

Show of the week: “American Rust”

Sober, intense narrative of bleak life plans, wrong decisions, guilt and atonement – ultimately a drama about the decline of the American middle class.

<!–

–>

<!–

–>

ttn-30