THEL San Remo 2023 and the San Remo of young people who do not forget history,” Amadeus said at a press conference. True and not true, taking a look at the 5 most voted duets. Apart from Mengoni transformed into Aretha Franklin (nothing wrong this year) e Lazza who did instead made a great duet (with Emma), at the top there are Lastpage of a mini concert by Eros RamazzottiAnd Mr Rain together with Fasma. Weak both, but evidently loved. Instead, even though his lungs and the Ariston are smashed, Georgia and Elise they only finished in fourth place. Why Light And Of Sun and of blue I’m just from the stadium and they didn’t move much? Yes. And then because they are two beautiful songs but they are not Now you, The best thing And Something big by Lunapop.
But who cares about the positions in the evening of Sanremo where you do karaoke with “pieces of heart”, and therefore you fight in a ring where physical strength counts for little? More interesting are the half-failuresand also i vertices – albeit very patinated. Then tomorrow – that is today – is another day. All forgotten? I would not say.
Sanremo 2023: the most beautiful duets
Elodie and Big Mama (American woman)
Sunglasses, waders and wet hair, and gangsta coat thrown on the ground. Elodie’s look is more than spot on for the song everyone associates with Lenny Kravitz (but which is actually an original dei The Guess Who). He plays tough, steals a bag from the stalls (a Serena Bortone shoulder bag), moves and shakes in favor of the camera, in short, everything is fine. And with the reloading of Big Momsrapper from Benevento, transforms the Ariston into a Grammy show.
Giorgia / Elise (Light, Sun and blue)
The two rival songs of Sanremo 2001 they try a reconciliation, successful. Between one sentence and another, Giorgia and Elisa laugh, one with more anxiety, the other perhaps more relaxed, they don’t realize they are beyond human, they do inexplicable things with the ease with which tennis champions throw the ball over the net. Except being shots that defy physics. Maybe an encore like for All at once by Whitney Houston in 1987 there would have been.
Georgia and Elise. (Getty Images)
Olly / Lorella Cuccarini (The night flies)
Among the best duets (but was it a duet?) only for the dazzling form of Lorella. How does he do it, what diet does he follow? Someone make an inquiry. Having said that where was it The night flies how have we always known her? On YouTube, that’s where it was and where it is. But there was the play of hands and feet of historical choreography. A thousand thanks.
Olly and Lorella Cuccarini. (Getty Images)
Lazza / Emma / Marzadori (The end)
Very controlled duet, successful fusion of voices. And who would have thought. From the “soundtrack of those who fight and those who continue to fight» (writes a YouTube user of the song by Nesli), Lazza and Emma ramp up their anger without drooling. With above the delicate bow of the first violin of La Scala, Laura Marzadori.
Lazza and Emma Brown. (ip)
Tananai / Biagio Antonacci / Don Joe (I would like to sing like Biagio)
Crushed but with his usual scoundrel swag, Tananai trudges along, leads Biagio. But the duet recovers – a little – for the surprise of a new one dream about me (feat. Tananai & Don Joe) – live band version made for streaming that cements the power of the original. Heterogenesis of ends?
Tananai and Biagi Antonacci. (ip)
Gianluca Grignani / Arisa (Paradise destination)
Go where your heart takes youindeed Grignani, that dragged Arisa while she, unstable on platforms and heels, she tried to stay in tune and follow her partner’s singing wave. The web says that, after what she has been through, in Gianluca there are never false notestrue, and considering the “casino” with which Arisa judges the performance (at one point he tries to make Stefano Colletta sing, who remains stony), it is an irresistible confusion that magically does not completely collapse. And there is also Beppe Vessicchio. Basically a scene from Babylon by Damien Chazelle.
Marco Mengoni / Kingdom choir (Let it be)
gospel choir on ditty quite famous gods Beatles. Everything perfect, very perfect, She it Be becomes Aretha Franklin which stirs up the crowds in church and the public calls for a encoreor perhaps only Mengoni naked, more than the bare arms on a metal sleeveless (by Versace). It is His Holiness of this edition, forgiven even when with the Alleluia he climbs up, bordering on annoyance.
Marco Mengoni and the Kingdom Choir. (Handle)
Anna Oxa / Iljard Shaba (A little emotion)
From I process myself to Monument to herself with the song with which she debuted in Sanremo in 1978. The voice is superb, clear, a testimony of what Oxa could do, again, with the right lyrics and a certain focus on communication, a dialogue with the public. Together with Iljard Shaba, an Albanian cellist, at one point takes the song elsewhere, between vocalizations and distortions, progressive and rock opera. In short, dear Anna, we miss you so much.
Anna Oxa and Iljard Shaba. (Getty Images)
Colapesce Dimartino / Carla Bruni (Sky blue)
Basically a lyric video by Sky blue Of Carla Brownwhich, sighing as if by nature, is a re-edition of Romina Power placid and sinuous, helped a lot by a tight Versace onesie. The arrangement works, just make the effort not to remember Adriano’s voice and imagine it spreading in a waiting room. Definitely better than the Black Eyed Peas.
Colapesce DiMartino with Carla Bruni. (ip)
Madame / Izi (Field street)
A new nail polish to De André’s film story, with deep baritone Izi that engages like the cutting voices of the Gregorian choirs. Madame adds something about her with a verse that links up with hers The good in the badan accusation autotune with a heartbreaking gloss: “out of my life I want love”.
Madame and Izi. (Getty Images)
Rosa Chemical / Rose Villain (America)
The ingenious song lyrics by Gianna Nannini is a good choice for Chemical. It has the right look (and also the sex toy as an accessory), while the menacing voice is menacing without being aggressive, dangerous, that stuff a mother would worry about together with the movements of her daughter’s idol (at least once). Luckily there is Rose Villainclear and linear on an acid rock structure which is the best of this style cover make it.
Rosa Chemical and Rose Villain. (ip)
Uncle Glue / Plague Finger (I will go up)
Fresh and casual, another thing from Daniele Silvestri’s versionwhich is kind of the goal of a cover: move away to come back together in a different way. Colla Zio and Ditonellapiaga, almost known and unknown at the same time, have the right status to carry out this operation. Funny how the bubbles go to your head.
Ditonellapiaga and iColla Zio. (Getty Images)
iO Woman © REPRODUCTION RESERVED