ROLLING STONE in July – Cover Story: Tina Turner

Topics of the July issue

Tina Turner

On the death of the great singer: from the woman in pain to the rock queen – her turbulent life story, told in two parts. Plus: your best songs

By Jenni Zylka & Arne Willander

Lloyd Cole

The nostalgia is profitable, but it bores him. Lloyd Cole loves to experiment and is less and less willing to compromise

By Maik Bruggemeyer

Anohni

Seven years after “Hopelessness”, Anohni returns with a soul album – a kind of “What’s Going On” for the 21st century, but under completely different circumstances

By Jens Balzer

generation activism

Many young people are not involved in parties, but in movements such as the Last Generation or Ende Gelände. How are you, what drives you?

By Aaron Boks

Lucinda Williams

After a stroke, the American songwriter fought her way back onto the stage and tells of rock ‘n’ roll life in new songs and memoirs

By Max Gosche

Indiana Jones

For the fifth and probably last time, Harrison Ford slips into his signature role. Director James Mangold explains how he carefully modernized the action series

By Patrick Heidemann

the mix

King Krule

At least since his second album, King Krule has been celebrated as an endangered young genius. Now he’s almost 29 – and his songs explode with imagination and inspiration

By Sasan Niasseri

birdy

From quiet ballads to dramatic synth pop: With their fifth album, Birdy has reinvented itself visually and musically

By Naomi Webster-Grundl

Baxter Dury

On his new groove-speak album, the son of the legendary Ian wants to redeem the listener from too many men with female voices

By Joerg Feyer

Q&A: Billy Corgan

About the new concept album by the Smashing Pumpkins, the disappearance of the old grudge and its political ambiguity

By Andy Greene

seth

Comic artist Gregory Gallant talks about the inaccuracy of memory and the burden of nostalgia

By Thomas Hummitzsch

HISTORY: “Madonna”

Her debut album was released 40 years ago – a liberating blow and the beginning of a unique career

By Birgit Fuss

PLUS

Local Natives, The Japanese House, Janelle Monáe, Tom Wlaschiha and more

Reviews

MUSIC

News from PJ Harvey and 79 other reviews

RS GUIDE: Steve Winwood

Hanns Peter Bushoff and Arne Willander on the legendary multi-instrumentalist

FILM, SERIES & LITERATURE

“My Fabulous Crime” and 18 other reviews

Playlist: Rare Trax in July

Since 1998, Cargo Records Germany has been dedicated to publishing and distributing artists from various indie genres. Our July playlist presents some highlights from the archive

culk “ruins”

With this song, the Austrian post-punk band Culk around singer Sophie Löw presents a study on the subject of abuse of power and masculinity that is as angry as it is smug. But the habitus trimmed for success begins to crack: “Your construction is slowly separating from you…”

Mudhoney “Light Your Way”

A psychedelic bubbling, darkly smoldering slice of garage rock from the recent past by Seattle’s grunge veterans who still know how to write a really good song.

Nothing “Included”

The Düsseldorf punk band, led by singer Andrea Mothes, rocked like a cross between X-Ray Spex and The Damned. This track is taken from their fabulous debut album, Made in a Hurry (1981)

Slut “Penny Changes Dresses (Live in Dresden)”

Since the early 2000s, Slut from Ingolstadt have been among the most reliable that German indie rock has to offer. In this track from their album “Talks Of Paradise” (2021) they take it shoegazy and dreamy.

The Courette’s “Killer Eyes”

The musical alphabet of the Danish-Brazilian couple Flavia and Martin Couri aka The Courettes is fed by doo-wop, old-time rock’n’roll and a fantastic garage wall-of-sound.

Dina Ogon “Docka (Live At Atlantis Studios)”

The Swedish quartet Dina Ögon, often declared Scandinavian soul, oscillates between somnambulistic folk, chanson and ingenious pop. “Docka” is a ballad of sensual grace.

Phillip Boa And The Voodoo Club “Sunday Morning”

It should come as no surprise that Phillip Boa and his band bow to The Velvet Underground. Amazing, no, heavenly, on the other hand, is Pia Lund’s Nicoesque singing.

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