Review: Ty Segall :: “Hello, Hi”

A little too harmless all-round attack by the Californian

The Californian songwriter is one of those all-rounders who sometimes lose the common thread between their skills. On his 14th solo album, Segall throws styles so wildly we can’t believe our ears. “Good Morning” flutters psychedelic wings through crooked folk branches. “Cement” combines Laurel Canyon sound, beatlesque Lalala choirs and pavement guitars. In “Over” there is…

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