A look back at the ratings of The 1975 albums in this magazine: In 2016 I LIKE IT WHEN YOU SLEEP FOR YOU ARE SO BEAUTIFUL YET SO UNWARE OF IT received two stars from the author of these lines, two years after this slating was awarded A BRIEF INQUIRY INTO ONLINE RELATIONSHIPS got three stars, and two years later the reviewer gave NOTES ON A CONDITIONAL FORM four stars.
? Buy BEING FUNNY IN A FOREIGN LANGUAGE at Amazon.de
The fact that BEING FUNNY IN A FOREIGN LANGUAGE now has five stars (see below) follows the law of the series and is the result of an amazing development. Early in their career, The 1975 looked like a British band that nailed digital native pop. Not because she found a sound for it. But because it dealt with the right topics. In 1975, The organized a solid fan base, which up until now has had all of the band’s records in Great Britain on number one. As the world fanned out over the years, The 1975 albums grew in variety until eventually NOTES ON A CONDITIONAL FORM became a full-length double album that felt like cornering through the Alps: so super interesting, but listen to that up too?
Now the wish for the band and their songwriter Matt Healy to focus on each other has come true. For BEING FUNNY IN A FOREIGN LANGUAGE, The 1975 fleshed out every song, “Part Of The Band” is reminiscent of Ben Folds at his best, “Oh Caroline” is ear-loving pop, “Winterring” wistful indie-pop. At the very end, the band plays the neo-R’n’B ballad “Human Too” as well as the nostalgic Americana conclusion “When We Are Together” with fiddle and tears in our buttonholes – interestingly both songs reminiscent of Bon Iver. So there’s a lot going on at The 1975 again. With the difference that this time nothing can go away.
SIMILAR REVIEWS
Mykki Blanco :: Stay Close To Music
The blurring of genre boundaries between rap and pop as a queer entertainment program.
Broken Bells :: Into The Blue
Indie-Psych’n’Soul-Pop with James Mercer, Danger Mouse and a feel-good factor.
The Düsseldorfof Düsterboys :: Duo Duo
The non-Düsseldorfer with not-just-dark showpieces that embrace folk, psychedelic and even Latin.
SIMILAR ARTICLES
Nobody intends to set up a matriarchy: What Linus Volkmann has to say about “Punk As F*ck” and KIZ women’s concerts
It’s autumn, you have to metabolize this downer first. Linus Volkmann sits on a hot-water bottle, nibbles speculoos and his fingernails and in the new pop column presents feminist books with a punk or humor background, a podcast (Die Sterne) and a very special video clip (Jens Friebe). Sit down and read along.
From Ariel to Armie Hammer: How Toxic Fandom & Toxic Stardom is making us all even more broken
“Who actually shit in your brain?” Paula Irmschler in the new edition of her pop column about “fans” of Arielle and “Rings of Power”, about the families of Armie Hammer, the Queen and The Kelly Family.
Queer pioneers or epic stadium rock: Who needs Queen these days?
“We Will Rock You” can already be recognized by the annoying drumbeat, with “Another One Bites The Dust” you only need to hear the notorious bass line. But what do you get from these and so many other internalized Queen classics? In the new pop column, Linus Volkmann digs behind the scenes of a band that, even dead, is larger than life. Interview with book author, Queen fan and ME editor Stephan Rehm Rozanes included.
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