In the island resort, beyond space and time, unironically beautiful house tracks are created.
With “Beau Mot Plage” and his unforgettable, crooked guitar, Rajko Müller landed one of the most important house-not-house hits at the end of the nineties. Those times are over, but a basic maritime mood, the ambience, deeply relaxed, which is attached to his music as Isolée, remained. RESORT ISLAND already exhibits this in the title. Tracks like “Canada Balsam” or “Pardon My French” will dominate the festival season, conveying with their tech-house mids the carefree one wishes for during the hot months, but never drifting into insignificance.
On the contrary: This album contains an incredible number of catchy melodies, some of which even overlap in the individual numbers. Many associations come to mind, because in the Inselresort you can immerse yourself in many phases of German electronic music in particular. “Coco’s Visa” could also be a DJ Koze track, “Rumour” sounds like Pantha Du Prince from the 1900s, and there are also links to the influential Frankfurt label Playhouse. The beauty, the courage to be kitsch, with which Müller acts, forms the album into a compact unit that stands for itself.