Christine and the Queens is now called Redcar, but not quite like that. REDCAR LES ADORABLES ÉTOILES continues to appear under the traditional name. I didn’t have the courage to take the last step. Something you can’t normally say about Héloïse Letissier, who now uses the pronouns he/him. The album contains the soundtrack to a kind of rock opera. A large-scale art concept that, in contrast to works such as “Gone” with Charli XCX, is only marginally interested in commerce.
? Buy REDCAR LES ADORABLES ÉTOILES from Amazon.de
It goes hand in hand with a stage project taking place around the release in Paris and London. Letissier’s androgynous synth chanson draws on current events as well as the long musical history of his home country. He largely dispenses with the otherwise high proportion of English lyrics and lives entirely in France. At the same time it forms the logical conclusion of the previous career and the plausible consequence of the LA VITA NUOVA EP.
Together with producer Mike Dean (Beyoncé, Lana Del Rey, Madonna) an exciting work with a deep French soul was created, which convinces even without knowing the background from the first intricate beats of “Ma Bien Aimée Bye Bye” and its melancholic melody.
SIMILAR REVIEWS
Hawa :: Hadja Bangoura
The New York producer and singer combines a classical education and unbelievable pop sensitivity to the seminal Afro-Art-R’n’B.
Sorry :: Anywhere But Here
Teenage indie rock in need of a kick in the ass.
Dagobert :: Bonn Park
The chansonnier discovers the complexity of love and moves in the direction of a singer/songwriter.
SIMILAR ARTICLES
“Blastin on that ass”: What Lizzo, Beyoncé & Taylor Swift have in common
Our present actually seems to become history later on. So it’s time to take a close look at the pop culture present in this column. What is happening? And how and why is it all connected? Here is episode 20, “An updated version is available”, in which Julia Friese explains why the greatest possible flexibility these days is no longer that you can do everything on your own.
Really helium-like: How Domiziana pitches to high-speed success with Hyperpop
Pop against the Corona stagnation: the success of Domiziana and the hyperpop hype. The current hit parade column by Julia Lorenz.
“And I just quit my job”: How Beyoncé turned the whole of TikTok against herself with just one line
Our present actually seems to become history later on. So it’s time to take a close look at the pop culture present in this column. What is happening? And how and why is it all connected? Here episode 19, in which Julia Friese explains why Beyoncé, Drake and Düsseldorf Düsterboys had very different summers.
<!–
–>
<!–
–>