Land adventures of Francesca Chillemi and Can Yamanprotagonists of Purple like the seaare back on the air tonight, starting at about 9.45pm on Channel 5with the second episode. In series the two actors interpret Viola Vitale and Francesco Demirrespectively journalist and chief inspector of police, working on the news cases afflicting the city of Palermo.
Purple like the seathe plot of the second episode
THE two episodes on the air they follow the evolution of their relationship. After the first meeting, Viola and Francesco they continue to collaborate, albeit from different points of view. In the meantime, Viola continues the search to find her father and, to achieve this goal, she asks Francesco for help.
Then there is a new problem of no small importance that the two have to face. If the journalist is obviously attracted to the inspector, the chemistry between them is not enough. Or rather, Demir is a man who is still unsolved, struggling with his past.
After having a difficult childhood and adolescence, does not believe in love. “I have a passion for things that hurt,” he confides. Working together, then, is made even more difficult by living together at home. In fact, they share the terrace of their respective apartmentswhich overlooks the splendid Norman Cathedral of the Sicilian capital.
“Purple as the sea”, the protagonists of the Canale 5 series Can Yaman and Francesca Chillemi. (Courtesy press office Mediaset)
The reporter and the inspector, two parallel lines
The meetings in déshabillé become part of the routine and Viola is fascinated by the surly inspector. Unfortunately it is useless, because they have a diametrically opposite view on love. Viola firmly believes in this. “I want love,” she tells him, “I’ll find it.” Demir’s answer is as short as it is incisive: “Good luck.”
Not an extra syllable or a jolt that can betray even a faint heartbeat. Francesco is made of marble and nothing seems to scratch it. Therefore, two diametrically opposed approaches to affairs of the heart, destined not to meet. At least for now. Who knows, in fact, if, with the intensification of working collaboration, something could not change.electricity that is released into the air when they are close is evident.
However, work comes first and duty calls. Space, therefore, for a good dose of professionalism, which both possess. The new case is the murder of a former prostitute.
“Viola like the sea”, Romano Reggiani and Francesca Chillemi in the role of Raniero Sammartano and Viola Vitale. (Courtesy press office Boom PR)
Is the love triangle between Viola, Francesco and Raniero born?
Meanwhile Viola, on the trail of her father, arrives at a farm. The owner is Raniero Sammartano (Romano Reggiani), an attractive boy with good manners, who is struck by the former Miss Italy. Thus begins a ruthless courtship. How will Viola react? He will capitulate in the arms of the 25-year-old or are her feelings for the inspector already strong enough to prevent her from imagining the future with another man?
Certainly, Raniero’s entry into the scene could create an interesting love triangle, useful for arousing Demir’s jealousy. And she too to make Viola understand what she wants and if she is willing to wait for Francesco to resolve her own dramas.
Sentimental affairs aside, the inspector carries on his own investigations into human trafficking. The situation is complicated when at the port, inside a container, he finds Farah, a young woman with a difficult historyinterpreted byactress Kyshan Wilson. He decides to hide it in her house, perhaps underestimating the presence of Viola in the one next to her. Vitale intercepts her through the living room window, but when Farah notices her he runs away from her.
Kyshan Wilson, Farah in “Purple like the sea”. (Courtesy press office Boom PR)
The arrival of the mysterious Farah
“Yet it’s not like you to bring women into the house”, he says to the neighbor, but the reaction is anything but soft. Viola hit a nerve. «What do you know what it is from me?», He asks her angrily. It doesn’t take much for the enterprising journalist to understand that the girl is not part of the inspector’s adventures.
He has some wounds on his arm and asks Francesco for information. “Farah is not a one-night stand. You’re hiding it “. Once again, Viola enters difficult territory, from which she is thrown out. “Stay out of this story,” Demir tells her. There is no time for disagreements, though, as they both have to deal with a new case. This is Laura Scalise, who died under mysterious circumstances.
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