Nina Hagen: “Unity” (review & stream)

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She growls, whispers, shrieks, babbles, rolls the R, plays the role of the over-the-top, is at the same time an angry punk rock brat, an esoteric hippie supermother, a political activist and an eccentric pop diva. So Nina Hagen does everything you expect her to do on Unity, and she does it well. For example, when she celebrates solidarity in a pathetic, enthusiastic and funky grooving way. She enlists the support of Liz Mitchell and Lene Lovich on “United Women Of The World” and George Clinton on the title track, where a dub-reggae number meets the spiritual “Wade In The Water”.

She growls, whispers, shrieks, babbles

It’s debatable whether the world really needs another cover of country folk classic “16 Tons” or the Germanization of Dylan’s “Blowin’ In The Wind.” But the album is really good when Nina Hagen doesn’t do what is expected of her: when she frees herself from the over-the-top and becomes gentle in the dance-pop number “Geld, Geld, Geld” or the record with “It Doesn’t Matter Now”, a beguiling duet with Bob Geldof in tin pan alley sound.

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