★★★1/2 Another superhero (in this case, one halfway there) on the horizon. There are two reasons why you should enjoy something about this film: The Rock Johnson, who has that as difficult to find as the cinematographic presence, and Collet-Serra in the direction. It is true, Spanish is more effective in tandem with Liam Neeson -and he has even shot a masterpiece, A Night to Survive-, but in this uneven but funny Black Adam realizes something: superheroes were always part of a world colorful and dizzying; they were always closer to Class B than prestige. And that is the visual style of this film about a superhuman being buried for hundreds of years who comes out with a lot of anger to break everything. For that reason, the inclusion of other superheroes (which really don’t add up to much) or the supersaturation of battle scenes is justified -more than by the plot, predictable where you want to think-. Style exercise, perhaps? Something like that. The important thing is that good old Dwayne and a certain cool contribution from Brosnan (who also understands the game he plays) give this kind of supercharged trailer enough momentum so that it doesn’t get boring. We’ll see later.
