The trap and salsa diva makes her audience vibrate with a powerful performance, full of energy and cheekiness
Nathy Peluso has displayed her entire artistic arsenal this Saturday to say goodbye to the tour of his album ‘Calambre’ in stylein a powerful and radioactive performance at the Wizink center in Madrid in which she has established herself, with the help of a powerful stage design and the talent of the accompanying musicians, as a diva on the Hispanic music scene.
Those who classify the Argentine artist in the catch-all of urban music are mistaken, the ambiguous and erratic term used by the press to encompass, in the same sphere, genres and subgenres such as rap, trap, reggaeton or R&B.
They err and they will continue to do so, because if she has shown anything to the thousands of people who have accompanied her in Madrid, it is that, if there was a correct label for her way of being and being in music, it would be that of diva rapper and salsa.
A rapper and sauce diva, but also electricas well as their movements and dance steps throughout the entire show.
Proudly claiming her rap tradition, interspersed with eccentricism and defiant attitude that characterizes her public pose, the Argentine has reviewed iconic themes of recent times, such as ‘Buenos Aires’, ‘Mafiosa’ or the recently released ‘Estás buenísimo’.
His session with his compatriot Bizarrap deserves a special mention, the viral peak of his career so far, whose best-known phrases -”a surprising, curvaceous and eloquent bitch& rdquor;- have resounded on the walls of a practically full Wizink center, after the introduction in the form of a ‘remix’ of ‘Candy shop’, flagship of 50 Cent and rap.
Also the interpretation of a song dedicated, implicitly, to those who saw her grow as a rapper close to the CraneoMedia collective; one of those who, achieved fame, it seemed that it was never going to sound again: ‘Corashe’.
Argentina has had time to treat herself to her version of the historic ‘The farewell’ of the king of all reggaetoneros, Daddy Yankee, that everyone has chanted in one of the most cathartic moments of the night.
Nathy Peluso is the same one who angrily repeats “damn & rdquor; when remember people who asked you to shut up at some point; the one who drinks a long drink of dry rum without twisting her face and offers a glass to the public; and the one who gives roses to her fans, although tonight for the last time.
“I have been giving roses to my people for years and today is the last ritualso whoever grabs it… Oh my god…”, he cried out before launching them to those present, at the last stop on a trip that has lasted two years, the time he has been on tour with ‘Calambre’ .
Three roses that, on a trip to the first row of the public, They have been returned to him by a follower.
And after making everyone jump and vibrate at all times, and just before that moment when physical dejection silences those who leave everything in a concert, Nathy Peluso has said goodbye with her version of ‘To live like this is to die of love’, dying of love all present -her included- for what they had just experienced. By Marcel Guinot