On November 3, it opens in MUNAR Mutual Resonancean artistic proposal created and curated by Nicole Moisés, which explores the identity of “the new contemporary Jewish woman” through a transgenerational dialogue that reflects on new ways of living Judaism in contrast to previous generations. The exhibition brings together works by three artists: Brenda Sabbagh and Lucia Erijimovichwho work with painting with similar techniques to explore the anthropology of everyday life; and April Goldschmidtwho uses ceramics to address issues linked to the body, matter and material memory.
The exhibition can be visited until December 21 on Fridays and Saturdays from 3 to 6:30 p.m. and on Sundays by appointment.
The project was born from a need to make visible the experiences of artists and colleagues, a concern that deepened in the face of genuine expressions that are worth exhibiting.
The three selected artists, descendants of Jewish immigrants arriving in Argentina in the 20th centurythey dialogue with their heritage through deep, sensitive and authentic practices. With diverse visual and symbolic languages, they investigate legacy and culture as forms of transgenerational communication, dismantling and resignifying symbols—inherited or imposed—to rethink tradition as an expansion of possible identities. What seems to have form is revealed as light: each creative gesture rises to a spiritual plane where ideas take shape in artistic matter. The letters—in their order, disorder or recomposition—function as vehicles of transmission and bridges to the other.
In Mutua Resonancia, art is presented as a production of pure thought and an act of faith, where The conceptual approaches philosophy and the performative dialogues with the performing arts, promoting a reflection on spiritual and universal aspects through abstraction, to address topics such as anthropology, everyday life, the body and material memory. This approach privileges the self-referential: the chosen works do not seek to represent something external, but rather inhabit their own logic and internal processes, transcending conventional narrative to explore dimensions that go beyond the literal, the visible and the told. From this abstraction, art becomes a flexible and open tool, inviting us to rethink the relationship between information, communication and perception; and is affirmed as a cultural legacy and intangible heritage of Jewish culture, placing emphasis on resignified traditions and the role of women between memory and modernity.
The exhibition will be organized around an agenda with four main activities. In addition to the inauguration, a sensory experience will be developed that seeks to activate taste and smell, and will include experimental Jewish music performed by the Sami violinistwith the aim of generating a comprehensive experience that connects body and spirituality. There will also be a shiur (Torah talk/class) in dialogue with the exhibition, and a closing event dedicated to collective reflection. On Saturday, November 8, the exhibition will be open as part of a day’s tour of the La Boca neighborhood along with other spaces.
Ultimately, with Juxthe formation of a Expanded Jewish Museumseeks to expand and diversify the perception of Jewish identity and culture, incorporating diverse cultural and creative expressions. This space invites reflection on Judaism from a current perspective, generating a bridge between new ways of understanding what it means to be Jewish in the 21st century. While the three-dimensional world celebrates diversity, here spiritual virtue becomes an instrument of the soul, integrating traditional values from a contemporary perspective.
The choice of MUNAR (Av. Don Pedro de Mendoza 1555) as headquarters is no coincidence: for Nicole Moisés, it is about a reference space within modern art, with a strong projection on social networks and an active community that enhances the scope of artistic proposals.
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