This chronicle is nothing more than the confirmation of a cry that demands its existence and that crystallizes in the music of a boyone among many, who persists, rebellious, rebellious and sometimes with the spotlight on him as a tightrope walker of what is correctin which the echo of its roar is always heard a little further away.
And against all odds and against everything, this is how many of those goals are born. Morad demonstrated tonight, in the first of his three nights at the Sant Jordi Club with 4,600 attendees (many of them very young), that the howling comes and tears down walls that seemed insurmountable for those who have little written in the boxes ahead of today on the calendar. The rapper from L’Hospitalet remembered with ‘Aguantando’ shortly after starting – before that, some of his colleagues who have emerged in the MDLR ecosystem, such as Delajowy– that “the ghetto never left me”, marked for life by all those stories of street darkness that explain his existence, and now also his success.
Morad, who is coming from an extraordinary tour of Europe, It was already presented with the title of ‘reinserted’which he himself boasts in his first album, displayed at length last night on stage. He came out to show it off in “Barcelona, mi casa”visibly connected with the audience, thanking the first cheers with gentle pats of his hand on his chest, covered for another day with a tracksuit.
Morad somehow showed on stage that transit that has gently made its careerfrom the chronicles of the margins and intimidating calls for loyalty (‘A friend failed me’) to the stories of the assault on success without forgetting their past, with the setbacks that exist and are exposed in, for example, the giant ‘Soñar’ .
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The one from the La Florida neighborhood happenednow 24 years old and who understands romances, for more caramel songs – one of these was his first big hit, ‘A hidden’ – like ‘Dominicana’, but he knocked himself down again quickly -a spectacle of constant comings and goings and, without a doubt, of a size according to his figure, due to the visuals and the now essential camera on stage- to claim authenticity with songs like ‘Bobo’, ‘Yo no voy’ [de mafioso] or ‘Motorola’, underground icon.
As an example of script twists, always present in endings, highlighted an acoustic and heartfelt version of ‘Mama me dice’, and the appearance of the elusive Beny Jr (‘You weren’t in the wrong’, ‘Sigue’), a friend with whom he has managed to fulfill his dreams. “I hope you fulfill yours,” Morad had said minutes before. Because his figure is also here to remember that his is an extraordinary cry.