The Rieckhallen behind the Hamburger Bahnhof was painted in 2020 by the artist Katharina Grosse. Now they finally belong to Berlin Photo: Charles Yunck
By Michael Zollner
When the news is good, the podium is usually full. This was also the case on Tuesday when the purchase of Rieckhallen and Hamburger Bahnhof was announced on site.
Minister of State for Culture Claudia Roth spoke of a “good, bright day”, Governing Mayor Franziska Giffey proudly announced “Berlin delivers” and Senator for Culture Klaus Lederer said: “All’s well that ends well”. Only Finance Senator Daniel Wesener spoiled the joy. It was “not the best wealth policy deal,” he said. Even if it is politically correct.
“Growth”, an inflatable, colorful sculpture by Eva Fabregas in 2022. It will be on display from July 6th Photo: Hamburger Bahnhof – Museum for Contemporary Art
The acquisition of Rieckhallen costs Berlin over 100 million euros, plus 66 million euros from the federal government for the Hamburger Bahnhof. It could have been cheaper if the federal government and Berlin had set the right course years ago.
The directors of the house, Till Fellrath and Sam Bardaouil, are all the more relieved. “This is a historic day for Hamburger Bahnhof,” said Fellrath.
Holly Zausner’s “Second Breath” (2004/2005) will be part of the presentation of the collection from April Photo: the artist
You have big plans. The presentation will be divided into three parts. From April 2023, the collection can be seen in the renovated west wing. An “Infinite Exhibition” will permanently feature site-specific works indoors and out. In the third part, visitors can learn about the history of the place, among other things. Entry will be free here.
Christina Quarles’ “Slick” from 2022. Her work can be seen from March 24th Photo: Christina Quarles Courtesy of the artist, Pilar Corrias, London and Hauser & Wirth
The name will also change somewhat: “Hamburger Bahnhof – Nationalgalerie der Gegenwart”. The signs are pointing to changes. Bardaouil: “We came to stay“