THEor they call blackbut curiously Paride is the only white of the village in which he lives, an agglomeration of villas that have seen better times along the Caserta coast, Between Castel Volturno and Mondragone. Nero lives with her sister Imma, suffering from severe cognitive delay, and bargains as she can, with small robberies, on behalf of a blunt local boss.
And it is precisely during one of these shots that something goes wrong: a blow starts and a man, the gas station of the service station dies. Or at least so it seems. And he also believes it black who, desperate, with his hands dripping with the victim’s blood, escapes. But, the newspapers reveal the next day, the gas stationary is fine.
The wound on his body has disappeared and if at first The miracle is thought to be the work of the Madonna (A statue of the Virgin was on a shelf not far away), it is immediately clear that it was the imposition of the hands of black to have resurrected him.
Giovanni Esposito, on the right, in black.
Giovanni Esposito, from supporting actor to director
Giovanni Esposito is a very good actormade his debut on TV, face of fiction on policemen and underworld (La Piovra 8, the bastards of Pizzofalcone), He worked for almost all Italian cinema, at the end of the spectrum (Miniero, Manetti Bros, Sabina Guzzanti, Siani, Rubini, Marcorè), he also participated in some international production shot in Italy (The Tourist with Johnny Depp and Angelina Jolie, To Rome with love by Woody Allen), and we imagine that with a hundred titles in CVs between small and big screen, the desire to shoot a film has manifested itself with arrogance.
Giovanni Esposito and Susy Del Giudice, brother and sister in black.
Because of this Black, of which he is the author and protagonist, together with his wife Susy of the judge who plays Immacalls to photograph incredible places Daniele Ciprì, and convenes an unforgettable human landscape (between underworld, unfortunate and immigrants) to give life to a fairy tale, very black in fact, in which miracles follow one another, but For every salvation there is a price to pay. The balance, however, remains in active: if it is the death of the illusions (there is no room for love, not even when the money seems to offer an easy exit of security, but it is only one moment), the purity remains.
Black It is at the cinema from May 15th.
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