Five ‘spoilers’ of the Motomami Tour that characterize Rosalía’s innovative concerts

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Waiting for the Motomami Tour lands in our city, it is inevitable to see how the spectators of the concerts already held in other cities of Spain share several tracks of How is Rosalía’s concert? and what long-awaited novelties it will offer us.

The ticket purchase was successful, since the ‘sold out’ arrived imminently and, in some places like Madrid, the presale left only a few seats available for official ticket sales. But on the other hand also got several criticism for the high pricecomparable to concerts by artists with an international caliber and with more experience in the world of music, such as Beyoncé or Coldplay.

That is why those who have their ticket for the Motomami Tour they don’t expect just any ‘show’but a show where the artist can surprise the public with her songs and ‘performance’ with height.

So we have compiled five ‘spoilers‘ that have been repeated systematically at each Rosalía concert and that are already part of the essence of Motomami Tour. So, if you want to go to the concert with no expectations and experience it from scratch, read no further.

1. Selfie camera

One of the key elements for a concert to work is the feedback from the public and the interaction with the screens. Thus, the most common thing in concerts -whether high or low scale- is that the same audiovisual shots are reproduced, usually one more general and one more in the foreground. The dynamics in musical events do not usually come out of the ‘standard’ realization.

But Rosalia has complied with the innovation of another audiovisual method: with several cameras in motion and even she herself has a camera ‘selfie‘ that focuses on the artist in the foreground and is reproduced on the screens of the stadiums. It is a key element of proximity and innovation for the audiovisual, since it transmits more movement and closeness on the part of the artist.

And speaking of closeness and proximity, another ‘spoiler’ of the concerts is that the lucky ones in the front row -with the entrance to Pista A- you will be able to enjoy have the artist a few meters away.

And yes, a few meters away, since Rosalía comes to a point where actively interact with your closest viewers going down the track (with his ‘selfie’ camera). Thus, the Catalan singer descends at the foot of the track singing the song ‘La Noche de Anoche’, a collaboration with Bad Bunny that is not part of the Motomami album.

Specifically, at the Valencia concert, a fan of the singer said “I love you” when Rosalía gave him the microphone so that he could sing too. To which she replied “Me too”, between the lyrics of the song.

2. ‘Despecha’, the unreleased song

One of the most powerful weapons for promote a song Today it is through the social network of TikTokand it has happened with the unpublished song that Rosalía sings in her concerts: ‘despise‘.

Before being published, the verses “I decided to go out tonight, with all my motomamis and all my gyales”, are in the minds of fans who do not miss a single one and also in those of fans of social networks -specifically TikTok- who are up to date with new musicals.

factor of sing unreleased songs unreleased is a method that some artists, like Bad Gyal, use in order to create more expectations about a song and increase the desire for the premiere date to be announced. Of course, in the concerts after the one in Almería, most of the public already knew the verses of ‘Desspechá’, since on TikTok Rosalía herself posted a video with the unreleased song.

3. Removes make-up and cuts her hair

Another part of the ‘show’ that has an impact and is innovative is the absence of changes in ‘look‘, characteristic in concerts of world-famous artists, and the presence of cosmetic changes.

But what changes await us? The artist in the song of ‘Devil‘ sits on a chair in the middle of the stage and removes makeup live. But that’s not all, when the song is ending, the artist she cuts the two long braids with scissors. Change from formal grooming to more naturalness and freedom of movement with loose hair.

4. Changes of ‘look’ at each concert

Since the lack of change of ‘looks’ in the same concerts began with criticism from various fans, the artist has not disappointed with a different outfit for each concert.

So in Almería dressed in a red suitin Valencia he opted for the same one in blue, in Madrid he used a red one and in Granada he opted for a white one that exposed his new tattoo on his left leg.

5. Pre-cake

In the first concert, in Almería, the singer from Sant Esteve de Sesrovires made a very characteristic face before singing the song ‘Bizcochito’. This, intentional or not, has replicated Y recreated multiple times on social media like Twitter or TikTokwho have used the humor of their facial expression.

So, to Rosalia he was amused by the media boom that had its expression, and in all the concerts that have followed to date (Almería, Seville, Granada, Málaga, Valencia and Madrid) has made the same facethe same moment, just before singing ‘Bizcochito’.

Related news

This is, along with the video with the unreleased song on TikTok and the interaction at her concerts with the public, another way that Rosalía has of show that you listen to your fans and viewersand that adapts and surprises them in multiple ways with a rebound effect on all social networks.

Next stop: Palau Sant Jordi

This weekend, the Catalan artist will offer two concerts in Barcelona, ​​one on Saturday and the other on Sunday. So, since this Tuesday there are already some fans who have ventured to camp at the gates of the venue to get the full experience and thus be able to be one of the lucky ones who get keep Rosalía inches away.



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