Dior Couture SS 2022, white eyeliner according to Peter Philips

QWhen you just can’t see things positively, maybe you have to strive to change the point of view, reverse the perspective, why not, even the opposite. What he sends is a message of hope Peter Philips. creative and image director Christian Dior Makeup, from the backstage of the Dior Haute Couture SS 202 fashion show.

For the show, he “turned over” a great classic of makeup (as well as the shows of the maison), the graphic eye. Quite the contrary. Black eyeliner turns white. The graphic line from the upper eyelid migrates to the lower one. A metaphor: what has so far been turned upside down may still be new. It is capable of surprising us, making us dream.

The eyeliner, in white, by Dior Couture PE 22

“I focused on one graphic look that, although minimal in its graphics, stood out a lot. A simple look but full of light and character, like the collection »says Philips from backstage.

It exudes femininity, joy, but above all the ability to reinvent. Even a classic like eyeliner, which at Dior is always new.

How does?

«It is always a good challenge, even more so in this historical moment in whichi seem to lack inspiration, beauty. However, both Maria Grazia Chiuri and I love eye makeup, and this seemed like a nice message to send to women from a high fashion show, the stage of the dream: even though being so limited, despite having the pandemic rI duct the make-up to little more than a stripe above the mask, the beauty resists“.

And how?

«By playing with the few elements we have. Reviewing the classics. Black becomes white. The eyeliner draws a underliner, a decisive trait that dresses the lower rim of the gaze and lifts it upwards. It’s futuristic, not retro at all. “

The beauty look from the Dior Haute Couture SS 2022 fashion show (Getty Images).

Do you look at the younger ones?

“Of course yes: we would like to say that it is still good to play, that the opportunities are endless, to invent and reinvent themselves ».

A look created with Diorshow On Stage Liner Eyeliner Matte White (36 euros).

The backstage products, told by the master

The basis of everything is always there perfect skin, beauty obsession by Peter Philips e great focus of Dior make-up. “On a beautiful skin every makeup works, every look is couture, every day! ».

In fact, the skincare preparation before makeup: “We used the new one Capture Total Intensive Essence Lotion refreshing and moisturizing to revitalize the skin, then applied Total Capture Super Potent Serum, smoothing, illuminating, perfecting small marks even on young skin ».

The next “Never without” has already been spotted: the new ones Dior Eye Reviver Patches logoed immediate cool-down effect, to illuminate and rest the eye contour area. Hurry: they are limited edition.

Cara Delevingne and the new limited edition Dior Eye Reviver Patches

The actual base is created with Dior Forever Primer and the workhorse, the foundation Dior Forever. «It is now a definable almost skincare make-up product, given that it is formulated with over 80% of illuminating and moisturizing active ingredients. “I’ve been using the version since finish mat so as not to use powders and powders: the skin remains opaque but fresh and natural ».

The eyeliner we want? White

The rest of the look does the white eyeliner flash Diorshow On Stage Liner 001 Matte White, reinforced by pencil Diorshow Khôl 009 White Khôl applied in the internal rhyme of the eye, for an even more total light effect.

Diorshow On Stage Liner Eyeliner Matte White (36 euros).

«The look is very technical but there is no real how to copy it, rather. The beauty lies in customizing it: any eye shape can be more or less enhanced by a different trait, more or less inclined, pointed… Anything can be done ».

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Especially the opposite of everything: «I find that the eye makeup, even before the pandemic, it was a very useful tool for emphasize expressiveness. Even wearing all black makeup, with an intense smokey, or a romantic cat eye, is already a message. Now that the gaze is the only visible focus, its power is felt even more. And today the make up must explore opportunities, leave horizons open in a world of closures ».

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