Cannes 2023 look from the last evening on the red carpet

dfter ten days full of glamorous screenings, events, parties and outfits, the spotlights turn on for the last time on the Croisette. There 76th edition of the Cannes Film Festival did not disappoint in terms of fashion. At Cannes 2023, i look they often rhyme with opulence, audacity, transparencies and flashes, especially on the occasion of the final evening. From Eva Longoria to Fan Bingbing, from Jane Fonda to Isabeli Fontana, it is a triumph of princely silhouettes and couture details.

Not the usual black

The total black is a timeless leitmotif on every red carpet, including that of the French Festival. To propose it during the final evening were Jane Fondain a look composed of an extra long asymmetrical top covered in sequins ton sur ton combined with tailored trousers; Adèle Exarchopoulos, who opted for a contemporary reinterpretation of the men’s tuxedo, playing with crop tops, coordinated ties and hoods that become stoles. Almost a second skin dress sported by the top model Isabeli Fontana, which has added a maxi jewel detail on the shoulder to the scuba-style fabric. Anything but minimalistic.

Cannes 2023, look of the final evening

On the red carpet of the Cannes 2023 awards ceremony there is no room for boring outfits or outfits that tend towards a not particularly spectacular essentiality. Haute couture creations come to life on the Croisette, real works of art to wear, exaggerated and sumptuous, impossible to forget. This is the case of the dress worn by the Chinese movie star Fan Bingbing, a look by Georges Hobeika Couture characterized by a heart-shaped bustier and a skirt covered with countless feathers in different shades of light blue and blue. Romantic and ultra feminine.

Transparencies, shiny applications, 3D flowers to decorate the skirt and train. These are the distinctive elements of the dress chosen by Thuso Mbedu and made by Elie Saab Couture, an incomparable synthesis of sensuality, elegance and opulence. Instead, she wanted to give vent to her Latin determination and her sex appeal Eva Longoria, who enchanted the red carpet thanks to Tony Ward’s look with a deep slit, rhinestones and voluminous skirt. While Brie Larson once again embodies Chanel’s ideal of beauty and femininity, Stacy Martin spokesperson for the Louis Vuitton aesthetic, in the peplum dress with embroidered flowers.

A Festival dedicated to fashion

This is how the 76th edition of the Cannes Film Festival ends, with the last sparks of style, never before this year the stage of choice for daring or controversial style choices. From Jennifer Lawrence’s ill-concealed flip-flops to Irina Shayk’s sculpted abs, the most important event in French cinema confirms its aesthetic vocation, accompanied by a certain desire to overcome tradition and classicism. Necklines, lingerie, slits, sequins and very long trains made emerging names and already legendary stars shine, regardless of age or physicality.

For an unparalleled synthesis between fashion and cinema.

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