Review: Lonnie Holley :: Oh Me Oh My

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Lonnie Holley, the artist discovered late, who created sculptures from the rubbish of others and found publicity with vocal improvisations over meandering, often dark sound tracks. Or also: The story of the boy from the dive bar who was sold off, digged graves, lived on the poverty line until a lover’s label discovered him in 2012 and released his debut JUST BEFORE MUSIC, when Holley was 62. He reported on the album MITH (2018). of being in a “fucked-up America” ​​where racism was still the order of the day.

? Buy OH ME OH MY at Amazon.de

OH ME OH MY is yet another collection of songs steeped in heaviness and sadness, but also an update of his spiritually fueled African-American narrative. This still carries the lived pain with it, but then awakens hope in the next moment – we can find each other if we only strive for a deep understanding of the other. That’s the good news that Holley formulates in the title song together with Michael Stipe (REM): “Humans please listen / Because sometime it’s alright / To wonder a little deeper / I suggest you all go as deep as you can / Because I believe / The deeper we go / The more chances there are / For us to understand / Understand the oh me’s and understand the oh my’s”.

The songs with Justin Vernon and Rokia Koné point the way forward: “Kindness Will Follow Your Tears” and “If We Get Lost They Will Find Us”. The all-enveloping keyboard is played by Jacknife Lee, who produced the album and co-wrote all the tracks. OH ME OH MY transports good news in the sound: Lonnie Holley makes gospel, soul, ambient, funk and blues his accomplices in the current survey of the sensitivities of Afro-Americans in America.

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