Anyone who had gotto tops after the band came to a website of a slot combo that had been left in the late 90s. No matter, that’s the past. The Canadian band that is about here has earned more than just making music under the radar, but also enjoys yesterday.
Recommendations of the editorial team
The vintage soft skirt, supported by the wafer-tart voice of front woman and songwriter Jane Penny and supported by dies, summer synth and flute sounds, teleported listener: Inside also on her fifth album Bury the Key. You do the self-test: hear the almost glamorous “chlorine”, close your eyes-and, while you have a good chorus, you dream of a terrace greeted by the sunlight on a relaxed Sunday morning in Italy or at a pool party that was well attended at some point in the 1970s.
You can do that, this nostalgia cast in songs. The difference to the predecessor: one portion more pressure. The guitars, if they come, sound almost grim. This is music, as funny as it is vulnerable at the same time. And one to which the greatest sunglasses that the cloakroom have to be carried must be worn.
This review was first published in the MusikExpress 09/25.