It was a boring TV performance and everyone had already expected that: Gordon at the table at today Inside did not deliver any fireworks. “Does he have to join more? I wouldn’t do that.”
The arrival of Gordon to the studio of Today Inside Was much discussed, but the result is another deception. It starts to be typically VI: if someone sits down who is normally completely taken through the mangle, Wilfred Genee, Johan Derksen and René van der Gijp suddenly change in the fluff. Boring.
Bizarre bad
Wilfred starts the show with Gordon by showing the now famous fragment of his false singing. How does Goor look back on it? “Well, bizarre bad. Yes, no, that’s terrible. But this has just really been a snapshot, because that whole evening in itself – yes, or I have to be very mistaken – was just a fantastic fun evening.”
The presenter then wants to know: “What I don’t understand right away: you say” it’s bizarre bad “, we also indicated that here, and then you were furious with us all the time.”
Systematically
Behind the smile of Gordon appears to be still wrongness. “That is partly due to the fact that you make a CD where you put your soul and bliss into (…) and then you still get a bowl of shit over you. And not once … look, make a joke: everything must be said, but if you systematically make someone ridiculous …”
Ehh, a bit of what Goor herself does with Cornald Maas, for example, do it? “Did we do that? Really true? Do you mean that?”, Wilfred asks Semi amazed. Goor then: “You did that, yes. Every evening.”
Bastard
Gordon is known as the Dutch celebrity with perhaps the longest toes of everyone, but he himself does not understand that image. “If someone has self -mockery … I don’t understand that people think I don’t have a self -mockery. I say the most terrible things about myself.”
Johan Derksen teaches him: “Gordon, the difference between Gerard and you: you have responded to everything, made you incredibly angry, the Netherlands insulted to the bone …”
Goor: “Yes, he does that very well …”
Johan: “Everyone will find a bastard and Gerard is Popiejopie. He has tackled it smarter.”
No right
Wilfred then confronts Gordon with the fragment of the disgusting statements he made about Jacqueline Govaert. “Then you really don’t have any rights anymore? Then you’re done?”
Gordon: “Well, that’s not entirely true of course.”
Unfortunately Johan breaks in, because this fragment of course touches the core. The mustache says: “You have to stop that exaggerated reacting, because then you get very ordinary and personal. It often makes no sense and that makes the Netherlands turn away from you.”
Meaningless energy
René van der Gijp then tries to look up the smile. “I don’t know, but it is also nice that someone is so angry with Angela de Jong. Hahahaha. I like that again!”
Johan: “Yes, but there is so much meaningless energy in it! You can also say: Flicker! And ready.”
Moments later, Goor blames his diabetes for his mood swings. “That really has to do with your state of mind. Diabetes really has an influence on your do and leting you on. Being on your whole. That sounds crazy, but sometimes you just don’t realize that,” says the singer, who now uses the Mounjaro medicine.
Cokeus
Wilfred sees an explanation in this. “And that’s why you shoot something and every now and then in your moods?”
Gordon: “Yes, absolutely.”
What about his coke use now? Every now and then, yes. But you know, that is again so to say, because if you say that on TV again, there will be everywhere again: ‘Yes, drug use’, this and sister and such. I’m just very open and honest about it. “
And his fight with John de Mol? “I always have that man very high. Things have happened between us and that is a lot less now. We are now again On Speaking Terms. I think that is quite a victory. “
Again?
Do they have to do that again, Goor at the table? Today Inside connoisseur Victor Vlam writes down X: “I wouldn’t do that. It’s fun for once. But Gordon mainly talks about Gordon. Gerard Joling is more widely developed.”
“Wilfred and Johan did not necessarily have saved Gordon, but the critical points came more in the form of pests than as a hard interrogation (such as with Glennis Grace).”