Review: Future Islands – “People Who Aren’t There Anymore” — Rolling Stone

Since “Singles” from 2014, Future Islands’ albums have only differed in nuances – the basic ingredients always remain the same: straightforward drums, Joy Division memory bass, clear-as-a-bell synth melodies, plus Sam Herring’s exalted vocals. On the new album he processes a separation in his lyrics. Retro new wave as heartbreak therapy, so to speak. Accordingly, “People…” shines in the more dark moments.

There is also something comforting about consistency

With “The Thief,” the band from Baltimore even ventures briefly into unfamiliar territory: a knee-deep bow to Depeche Mode. An exception. In “King Of Sweden” the quartet shamelessly borrows from their own biggest hit, “Seasons”. But there is also something comforting about consistency.

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