The names of Araceli González and Adrián Suar They once again settled at the center of the media agenda, reopening a conflict that seemed dormant. What was once a love story and a shared work project is today redefined as a dispute over power, money and accumulated silences.
They met in 1991 in “The Golden Rocket Gang” and they quickly consolidated a sentimental and commercial bond. Was Aracelialready a rising figure in fashion and television, who provided a loan of 70 thousand dollars for Suar to found Polka Produccionesfrom which “Poliladron” would emerge, a key milestone in national fiction.
audiovisual empire. The marriage, celebrated in 1997 and dissolved in 2002, coincided with the rapid expansion of the production company: “Consequence truth”, “Vulnerable”, “Gasoleros”, “Son amores” and “Murderous women” They marked a cycle of successes that positioned Suar as the most powerful producer in prime time, then artistic manager of El Trece, who consolidated like no one else a business model based on PNT, which made him bill millions for more than two decades.
After the couple’s separation, An asset division agreement was signed in 2005 for a figure close to 8 million dollars out of total assets estimated at 18 million.. Years later, Araceli promoted an investigation to review that distribution. Those around him maintain that the real value of the company and the royalties would have been much higher than what was recognized, and that the percentage awarded to him did not reflect his initial contribution or subsequent growth.
In recent days, the actress decided to speak again. His passage through the program Mario Pergolini and, above all, his presence at the table Mirtha Legrand They reactivated versions and rereadings of the conflict. There, she expressed with pain: “He is divine with everyone, but not with me,” and admitted having had to let go of a story that deeply marked her. The dispute exceeds the personal. From González’s entourage it is pointed out that Fabian Mazzeiher current husband, would have been marginalized from work after formalizing their relationship. The actor had participated in “Gasoleros”, “Campeones de la vida” and “El sodero de mi vida”, and then he began to lose presence on the screen. For Araceli, it was a silent retaliation; From the other side, hardly a coincidence. Mazzei recognizes a strong internal and decisions that were not only artistic.
Rags at home. In El Trece tensions and secrecy coexist. A producer describes the climate: “The version is circulating that Moria Casán could mediate on camera, but I doubt it will happen. Suar is reluctant to expose his life, nor would he do it for his children or for Griselda Siciliani, whom he respects a lot and today is very well positioned. Although it is not said, she is one of the central points of the conflict.”
The story between González and Suar reflects the x-ray of Argentine television power: an iconic actress facing a key producer of the last 30 years. Love, money, prestige, infidelities, cancellations and media strategies coexist in a plot where each phrase generates impact and where no one seems willing to give in. While the silences erode, and Suar just whitewashed his romance with Rocío Robles, Araceli warns: “One day I am going to tell the whole truth.” The tension grows again and the disagreement, far from being closed, is rewritten in real time.
