True to his recharged style, with echoes of Tolkien, shadows that cover everything and monsters that spit poison, Juan recordois He used the fantastic epic to get into the political scene. This time, he did it to accompany a photo: the meeting with Axel Kicillof, Andrés “El Cuervo” Larroque and Carlos Bianco “The girl from the Buenos Aires governor,” more OFELIA FERNÁNDEZ and the deputy Natalia Zarachopart of the Patria Grande Front. The post, with an existential proclamation tone, served as a poetic framework to a very earthly thread: reorder the Peronist board in the province of Buenos Aires, where internal tensions are exacerbated.
“The monster spurs poison every day,” said Grabois. He spoke of the expansion of greed, evil and violence as a shadow that blinds the people. But not everything was desolation. He also called the leaders to assume their responsibility, even grabbed, and find together the exit of that darkness: “Maybe some of us have to guide the rest, perhaps we can do it among several,” he reflected. “The main task of the leaders is to get the people out of this darkness, with the humility of knowing that none of us has a flashlight to illuminate the way,” he added.
In that us – implicit – Kicillof appears, with whom Graboois has been rehearsing an increasingly close relationship. The support is not less: at a time when the governor faces an internal front in full boil, the photo seeks to mark a position.
Today Buenos Aires Peronism is split in at least two large currents. On the one hand, the “Kicillofismo”an armed one that the governor himself pushes from La Plata with figures such as Bianco, Larroque and several barons of the conurbano, in search of greater political autonomy. On the other, the hardest Kirchnerism, represented by historical referents of the environment of Cristina Kirchnerand especially camorism, which in recent months hardened its strategy.
La Cámpora, with Maximum Kirchner In command of the Buenos Aires PJ, it has been making differences with the governor, check it with claims for charges and the strategy against the Milei government, and plays its own game in the reconstruction of national Peronism. The dispute moved to the Buenos Aires Legislature, where the Peronist blocks do not always work with cohesion, and everyday management, where the pulls for power spaces are permanent.
In that context, the photo with recordois – owned by two referents with youth and militant anchor – operates as a political gesture: an attempt to add volume from the progressive and Christian wing of Peronismin the face of a stage in which Kicillof appears as a possible opposition beacon in front of Javier Milei’s model. The literary wink of recordois, with tunnels, shadows and the promise of febo’s rays at the end of the road, does nothing but dress with epic which, deep down, is a political play of containment and repositioning.
By rn
Image gallery
