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The last test at the Ariston, with the television choreography and the orchestra, gives some indication of the “state of form” of the artists: Sal Da Vinci explosive, Ditinellapiaga with the catchphrase

Journalist

February 23 – 9.14pm – MILAN

The sensation of Ariston’s nakedness immediately captures those who enter the Sanremo theater for the singers’ rehearsals, which took place yesterday afternoon, a test version of the television choreography that surrounds the actual performances, starting tomorrow evening. However, it is an almost “religious” moment in every Sanremo, because it allows you to get a more precise idea of ​​the songs in competition (accompanied by the orchestra, a fundamental detail), of the “state of form” of the performers a few hours before the competition and also of the electricity of the Sanremo circus, which pours its thousand characters along the corridors of the theatre.

romantic

Yesterday, then, there were already some virtual winners: Sal Da Vinci, the Neapolitan voice of Lipstick and coffeeleft the theater besieged by those who wanted to take a selfie from him after a rehearsal marked by some initial technical difficulties but, in the end, explosive. The feeling is that its ultra-romantic Forever yes can really fly high. As expected, Ditinellapiaga also hit the mark – a tight black dress with pink tights – who is a candidate to be the author of the Festival’s satirical catchphrase with How annoying!. Judging by the applause, she is one of Sal Da Vinci’s most serious contenders.

guitar

Tredici Pietro also convinces, demonstrating how the first listen – which the press can only do via audio – cannot be enough to judge a song and a performance. There are also those who arouse the opposite effect, like Fulminacci (but we will see in the actual competition) and those who have to deal with technical problems, like Malika Ayane, not satisfied with a guitar that is too low in the headphones, Masini and Fedez, who have to fine-tune some details and Ermal Meta, who deals with those working around the stage (but his Little star could really have the impact it deserves). Serena Brancale’s total white, Mara Sattei’s seduction and Luché’s rap iconography also stand out. And Eddie Brock, who didn’t show up here among the most popular, is relaunched. But they are tests, precisely: the race counts.



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