Bottega Veneta 2025 parade: Louise Trotter’s debut at the MFW

Chi stops is lost. There Milan Fashion Week dedicated to Spring-summer 2026In fact, it starts great steps towards a triumphant conclusion. If the fourth day was dominated by Dario Vitale da Versace’s debut, the fifth day saw all the eyes on the Bottega Veneta 2025 fashion show.

The first show signed by the Neo director Creative Louise Trotteron the other hand, could only catalyze the attention of fashion enthusiasts and professionals. With the shows of Ferragamo, Dolce & Gabbana And Luisa Spagnoli Thus ends another very rich day of MFW.

Bottega Veneta 2025 parade: Louise Trotter’s debut

In this formidable season of debuts, the Bottega Veneta 2025 parade was expected in a particular way. To his first test at the helm of the fashion house, Louise Trotter It seems to have carried on the inheritance and vision of Blazy, enriching it with touches and personal elements. The reason Wovenunofficial logo of the maison, immediately emerges as a leitmotiv essential, source of stylistic safety and recognition. THE outercride They play a leading role, characterized by well -defined shoulders and oversized silhouette. Then abound, dresses, skirts and blouses in skinperfect synthesis of Savoir-Faire and the ideal of femininity of Bottega Veneta.

Trotter also imagines one quodianity imperfectalmost sghemba, animated by stoped shoulder straps, “wrong” buttoning and non -symmetrical collars. Feathers and floods forms to voluminous and scenographic clothes, while fringes and unwilling orlists make material looks and tactiles. In addition to bags wisely “abundant” and Midi Dress In curled fabric, the skirts and dresses with a shiny, almost liquid and translucent finish, adorned with feathers and fringes are noted. The Bottega Veneta 2025 parade, therefore, maintains its eclectic approach, markedly out of the ordinary and cerebral, capable of staying with her feet on the ground as if to take flight towards unexplored territories.

In bed with Dolce & Gabbana

In view of the next hot season, Dolce & Gabbana reveals PJ Obsessiona project that tells the charm of a wardrobe that unites male penalty And female seduction. The collection of the famous duo of stylists, in fact, takes inspiration from Classic men’s pajamas and re -reads them in a sensual and contemporary key. Black lingerie, precious details and tailoring thus merge into a new lexicon, not without irony, suspended between Boudoir And city. The déflé therefore redefines the boundaries between underwear and the public, between candies And seductionlaunching an invitation to dress without rules.

In the front row of the last défilé Dolce & Gabbana, in any case, made two guests noticed out of the ordinary. Meryl Streep And Stanley Tucciin the role of the feared Miranda Priestley and the trusted collaborator Nigel, have in fact shot a scene of The devil wears Prada 2. Welcomed by a thunderous applause and sitting between Naomi Campbell and Michele Morrone, the two actors then fell into the part, admiring the show up close.

Ferragamo, return to the 1920s

Found in the archive, a photo of the 1925 of the muto cinema star Lola Toddwrapped in a reason leopardateis the aesthetic engine that triggered The latest Ferragamo collection. For spring-summer 2026, in fact, the creative director Maximilian Davis returns to the years Winds. The symbolic elements of that decade are thus sublimated in animal prints, Longé leather jewels and fringes decorations. Davis then gives great prominence toemancipated elegance of the time: from the suits speakeasy to underground with straight cuts and inserts of perforated lace, up to Dresses with low life And the deep necklines on the back. “It was a time when women were creating a new femininity: a celebration of freedom, a re -appropriation of self, “said Davis.

In the proposal, moreover, the graphism and the color blocking of the illustrations of the time, reinterpreted in saturated paints with hooks buckles and in the ultra thin knitwear. The flowers applied on silk craipon, on the other hand, pay homage to the compositions of some archive images.

Natural life according to Luisa Spagnoli

There spring-summer 2026 collection Of Luisa Spagnoli reflects a return to the essentialwhich becomes extraordinary. Natural life, then, turns into an beginning and arrival point, while the female body is celebrated in its original harmony. The choice of fabrics, oriented towards lightness subjectplays a fundamental role, as well as the palette chromaticwhich moves between shades of coral, lemon, pink, pervinca, black and white. Lino, cotton, gauze, georgette and silk organza build impalpable and dynamic volumes, enriched with tailoring details such as pleated, flounces and ribs.

There knitwearFurthermore, it is a central element of défiléalso proposed on dresses declined in essential models. More generally, the silhouettes breathe in harmony with the body, they move naturally, finding a successful balance between comfort and refinement. Shirts, trousers and jackets enhance the figure respecting the proportions, while the invisible stitching of the linen are synonymous with a flattering and sophisticated design. The skirts descend fluid to the ankle, the sixties lines resume the reason Marinièrefloral patterns give lightness and dynamism, between modernity And tradition.

Ermanno Scervino’s urban explorers

The Italian stylist It tells, once again, one multitude Of figures feminine: tourists out of a postcard of Anacapri, nomads restless and always glamorous, new dominique Sanda but also Veruschka. The spring-summer 2026 collection, in fact, is dominated by an atmosphere of full light and clear shadow, of transparencies and games of looks. There is no shortage lace And crochetSymbols of the Scervino universe, accompanied by pitfalls, drawings with applied cord and crystals, arranged in geometric plots that recall majolica.

Elegance then merges to research and technology. For example, the creations are noted chiffon worked a layers With an ancient technique called “A Petalo d’Iris”, capable of preserving the lightness and transparency of the material, at the same time giving it an unexpected structure. In the same way, the tassel impalpable pleated is declined in unpublished and always shiny forms. THE colorsFinally, they trace a map: saturated blue, hot sands, plaster, blue discussed by sun and vivid orange.

Ferrari and the urgency to simplify

For the spring-summer 2026 collectionthe intent of the creative director Rocco Iannone It can be summarized in one verb: subtract. In the proposal dedicated to the next hot season, in fact, it is the form to glorify and highlight the matterwhile there are clear and vertical silhouettes, declined in volumes that surround the body. Elongated clothes, tailoring Voluminous, fluid shirts and cargo pants: the rigorous and decisive design lets the materials captured the gaze, such as silk canvas, cashmere gauze, nappa and denim. To hit the mark, then, is the chromatic palette of défiléwhich moves between different tones of whitefrom butter to the optician, up to nuance Of rust, red magma and touches metallic. With the exception of red, each nuance is the natural tint of the fabric. In a further subtraction game.

Msgm, here and now

There spring-summer 2026 collection Of MSGM reflects on what is current, what is new and what, of the brand’s past, continues to vibrate. The show, staged in the brutalist “temple” of the brand, the store in the heart of Brera, has turned into a Block Party Milanese, between design chairs and drinks to be shared. Inspired by Happening Symbol of the fashion of the eighties, the parade has thus turned into a symbol of playfulness and immediacy. The collection, characterized by real and desirable clothes, rewards a distinctive grammar visual: lines and polka dots, flowers and pythons, paintings and graphic patterns. Cotton in different weights, popelines with geometric cuts or ruffles, lived denim, transparent chiffon, eco-pello silver and sequins alternate by balancing lightness And intensity. Here (and now)! It is therefore the manifesto of MSGM, aimed at celebrating life through the style and shared experiences.

From Stella Jean to Laura Biagiotti

The fifth day of Milan Fashion Week saw the return to the catwalk of Star jeanthree years after his last parade. The Haitian designer, known for the fashionable ethical approach and for the unique synthesis of patterns, colors and materials, took the opportunity to pay homage to Giorgio Armani. Jean, in fact, made his debut in 2013 at the Armani/Theater, as one of the emerging young talents supported by the King Giorgio maison. At the time of the final greeting, then, the designer showed off a t-shirt with the writing Thanks Mr. Armani.

The spring-summer 2026 show of Laura BiagiottiFinally, he coincided with the 60th birthday of the fashion house. An anniversary celebrated through a collection dominated by pastel shades and floral plots.

After the Bottega Veneta 2025 fashion show, Milan Fashion Week is thus preparing to live its last day.