Yves Berendse is taken a lot of grazing by Guido den Attrekker. The Story boss finds the patser behavior that the singer immediately has a villa built in Vinkeveen now that he is a bit famous.

© RTL, SBS

The tirade of René Froger against just starting artists who immediately travel through the country for mega gages has loosened a lot. His argument seemed to be indirectly addressed to Samuel Welten, who scored one hit (‘Maserati, Huis in Bali’) and now requires 10,000 euros per performance. The singer finds a supporter in Guido den Astekker.

In a minute

Story boss Guido is also bothered by all those types. “Nowadays someone can in a minute Being a well -known star, with one hit that is often huge through the socials and can then become very large on Spotify. They are not all One Day Flysbut it is true that they all make a fortune very quickly, live according to that. ”

He continues to the desk of Shownieuws: “Nowadays, they all want to try each other with a Rolex. If one has a Rolex, the other wants it too. Yves Berendse now lets a house in Vinkeveen again, Tino Martin also has.”

‘Really nonsense’

Presenter Dyantha Brooks goes against it. “Yes, I think that’s really nonsense. It is not surprising that two big stars both live in Vinkeveen?”

Guido: “I think: if that is your ambition, to have a villa in Vinkeveen as soon as possible … first make sure that in three years …”

Dyantha: “Yves Berendse has been busy for a long time, isn’t it?”

Guido: “Yes, but not so long a big star, and I am very afraid that the life cycle of their career might take a few years, because I will not keep them apart now.”

Vinkeveen

Dyantha thinks it’s a gotspe. “Do you think Yves Berendse should think: I am going very well, I have the money, but I keep it on the couch, because it is not yet up to me to buy a house in Vinkeveen?”

Music connoisseur Ronald Molendijk thinks the music should be central. “Not necessarily Yves Berendse or whatever name, but whatever you need for a young guest, is a manager who should actually ask you after every performance:” Where will we see in five years? Do we want to do the Ziggo or a smaller room? “

Because if that one hit is finished, “you will come by the following year for a quarter of the gage,” concludes Ronald.

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