What were the first creative impulses that led you to develop an artistic practice?
From a very young age I felt the impulse to create. I went through different techniques such as painting, watercolor and Chinese ink, but it was architecture that gave me new tools. During my training, I noticed that I almost always included metal structures in my projects; I was attracted to its versatility, resistance and ability to adapt to different forms and functions. The interest in metal, with its hardness and infinite possibilities, was gaining prominence and became the nucleus of my artistic practice.
What materials and languages define your current search?
Work with sheet and resin: materials that refer to the industrial and structural, but that I transform to create sensitive, intimate surfaces, capable of generating atmospheres next to the light and activating new forms of perception. Light is not just an external element that illuminates: it is an active, constitutive matter that intervenes and modifies the work according to the time of the day, the direction in which it enters, the way it bounces.
My language is born from the confluence between architecture and music. Referents such as the Bauhaus school taught me to think of art from the function, rationality and minimalism, while Berlin techno music connected to an industrial, repetitive and bodily universe.
How do you project in the medium term?
I project my presence in Argentina and at some point opening my way in international stages. I want to continue producing and perhaps connect with other disciplines such as design, fashion or music.
What elements do you consider distinctive in your artistic approach?
What I propose is a work-object with character. The disruptive is in the way of living: they are pieces that exist, not that they count.
It is not background, it is form; Do not adorn, tension. Invite, uncomfortable and then revealed.
How do you imagine the interaction of the public with your work?
I would like the public to approach from a more intuitive, more bodily place. Do not look at my works only with my head, but also with the skin. Let them be carried away by the light, by textures, by vacuum. That they invite to stop, to feel something without having to name. That activate a memory, a question, a memory. That work as half distorted mirrors, where each one is reflected in a different way.
Contact data:
[email protected]
+54 9 11 6805 1704
Instagram: @nradnoti
By CEDOC
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