“I am noticed the assumption that music has not been my thing-for several years I have argued that music is the new literature, that Dylan is the sixties response to Hemingway and that the primary voice of the seventies instead of books on plates and Video cassette is recorded. “
Hunter S. Thompson wrote these lines at the end of the seventies to the Rolling Stone journalist John Lombardi-his letter was part of the book “Fear and Loathing in America: The Brutal Odyssey of An Outlaw Journalist 1968–1976”. In order to support his music knowledge, the gonzo journalist, who, in addition to writing literary milestones, also included new standards with subjective political and cultural reports. Raoul Duke, his anti-hero-age Ego from “Fear and Loathing in Las Vegas”, explained which the most uncontroversial albums of the sixties are.
“The 1920s repeat the 1920s. The parallels are too obvious that historians could ignore them. “
Herbie Mann: “Memphis Underground” (1969)
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Bob Dylan: “Bringing It All Back Home” (1965)
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Bob Dylan: “Highway 61 Revisited” (1965)
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The Grateful Dead “Workingman’s Dead” (1970)
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The Rolling Stones: “Let It Bleed” (1969)
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Buffalo Springfield: “Buffalo Springfield” (1967)
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Jefferson Airplane: “Surrealistic Pillow” (1967)
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Roland Kirk: “Various Albums”
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Miles Davis: “Sketches of Spain” (1959)
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Sandy Bull: “Inventions” (1965)
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