NShe first evening of the Sanremo Festival 2025 all 29 big big names performed. Jovanotti had his glory show outside and inside the theater. And how co-chants made their debut Antonella Clerici. But, beyond the guests (including the incursion of the Pope via message), How did the first performance of the artists go? In the classic game that is repeated every year So here are the report cards to performance. But also to looks.
Sanremo 2025, early evening: the report cards of performances and looks
Gaia, I call I call you. VOTE: 6-
Mermaid Look with jellyfish tentacles and smooth hair as if lined up by a swimming poolfrom the sea, from the hairdresser sink. With dancers in tow and his pop song in line with current trends, Gaia is very current and is not wrong, but it doesn’t surprise either.
Francesco Gabbani, VVAT Life. VOTE: 5
Smoking and arms open to Modugno. But the nenia about the beauty of life has a much less grandiose and monumental tenor than the high references of the past. A moment, sing Gabbani, a very long moment, and you feel it all.
Rkomi, The rhythm of things. VOTE: 8
A little naked chest and we are at his feet. And also in his neck, to bite that tattoo that comes out and invites. Outside the bookmakers of the predictions, Rkomi has a good piece. Repetitive, but for a thick group of people it could very well stand still on the stage to show his inevitable leg trousers.
Noemi, If you fall in love you die. VOTE: 7
“He seems to have come out of a fairy tale,” says Jerry Scotti. And in fact his fairy tale his thirty diva dress speaks and tells. Roca fairy tale, of course. Everything works, airy and tortured piece, Veronica Lake hair, the vibes As young and boomers say united in the large church of NeoItaliano. In the middle of rapper and trapper, his way to the past appears as a novelty.
Irama, Slowly. VOTE: 8
Like Lady Oscar, Irama presented himself so. A lady Oscar back from a swordsman, of course. With the gold details dramatically a little disconnected and some fetish details. For some it could also be the look of a goalkeeper of the Upper West Side in New York. whatever it was, At one point he threw the coat, remaining in the downtown. High vote in the end, also because, unlike the first plays, the text for once has understood in its entirety, not very much.
Coma things, Hearts. VOTE: 9
Valentino commands in a successful assassin doll effectobvious only on California. With Fulvio next to them it looks like his ventriloquist magician. The song is a fun, impossible to forget. The choreography is a little mechanical, but there are 2 more evenings to improve it.
California of the Coma things. (Getty Images)
Simone Cristicchi, When Sari small. Rating: 7/8
Welcomed by the cries of incitement, he is the first singer competing to receive them, Cristicchi is impeccable in his painful story of a mother lost in the fog of madness. As a manual, also in cheering – standing ovation in the room. How to go against him in the country where “my mother does not touch her”? It is not possible, in fact.
Marcella Bella, Snake. VOTE: 5/6
Naked shoulder and four Power Station style dancers by Robert Palmer. Play biceps and give up the bitch, perhaps. The Dance Tecno base is not bad, but the problem is that the songdisguised as hymn for all women, sounds like a ramshackle monument to herself. The purpose is good, as a filler trace the result.
Achille Lauro, Young unconscious. VOTE: 9
In FRACC from Milord of Sailor Moon Without cylinder and rabbit, Achilles is moving. Indecipherable in its mixture of shyness and cipiglio and arrogance, manages to overcome the theatrical dimension, and then to fly light on a sincere and pleasantly desperate story. Current and timeless. For real and young young people of the past. He will have no factual relevance with reality like other colleagues, but his song – thanks to that final sax – is the cinema that is a bit missing in the cinema.
Achille Lauro. (Getty Images)
Giorgia, The cure for me. VOTE: 7 and a half
The slip dress with surface processing gave her fragility and purityneeded. Winner announced, compared to the last time in Sanremo returns to the tradition of Bel Canto with a large ending that raises towards the vertigo of a virtuosity as only she is capable. The phrase that takes, however, is missing, What I would know/love you for which 30 years later that song is still present in everyone’s memory. It will also be so for The cure for me? Judging by the applause it seems yes, or perhaps it is only the reverence to a great one who speaks.
Willie Peyote, Thanks but no thanks. VOTE: 5/6
Only to name the Jalisse and every time they tried, he would deserve the podium. Also for having rhymes “low expectations” and “low hands”. Peyote – the reflective part mixed with Balera mixed with a piece of article 31 – is a fun and dispersive incursion, which in the cauldron of Sanremo 2025 is like that special ingredient.
Rose villain, Outlaw. VOTE: 6/7
Dressed and bandaged by Suspiria by Luca GuadagninoRoses, absolutely splendid, has earned a yes na pret from the audience of the Ariston (that is, you are a bona). And they are good moments of female empowerment to be archived, how to say. The song is instead a replica of that of last year, we are honest, but since it was a lot of pieceI only welcome this equally pleasant sequel.
Rose Villain. (Getty Images)
Olly, Balorda nostalgia. VOTE: 6 and a half
Start with guitar and naked arms with sailor style tattoos of the past, arms that stand out, here. But Olly’s jeans are studded with precious stones, creating that contract between maleness and femininity that our government likes so much. The rest is a gender song Torch Song Always kept high high, a tormented and shouted diary page that has excellent chances of winning for bookmakers. Maybe.
Elodie, Forget about 7. VOTE: 7 and a half
Dressed by the Italian steel association, that is, with all the metal that Italy matters and expert, if the expert, Our lady Elodie sings with her arms resting on the microphone. A little confident, a little bored. Moreover, the mix of drama and phrase from memes, that is, that forgetting at the 7th Moschicida phrase, combines two opposite things, sentimental melody and ability to summarize a situation.
Shablo feat. Guè, Joshua and torment, My word. VOTE: 8
Great piece, well assisted by chains, leather jackets, bags pants and lights alone. It seems to be in the nineties of Missy Elliot and other urban rap of worship. What will do the televoting of this sound will be an interesting enough perspective to observe, but it is a difficult meteor to ignore, and not only for its unicum.
Massimo Ranieri, In his hands a heart. VOTE: 8
Powerful and dramatic, the always excellent Ranieri – in broken at the risk of ice cream maker – He tries with a written text in part by Tiziano Ferro. A cold version of Crazy heartit would be said, that when it approaches a classic piece, it shakes to become something else, remaining a peremptory and exciting cry, like a testimony.
Tony Effe, Damme na hand. VOTE: 6/7
On stage, the direction turns the white of the suit towards the sepia, Just to give a vintage idea to this song to the rugantino all about his Rome. The execution, not bad, is a spoken between the drawn and the excerpt. The effect Marpionescowhatever the intention was, it is reached, only Trastevere and the Ponentino is missing. Incredibly, for two and a half minutes, you can forget gossip and dissing. If you think little.
Serena Brancale, Anema and core. VOTE: 5
After Rome, Naples. And so on another trip to the South with all the energy of the case. The song has all right for a fun evening. The problem is that, in the sequence of the pieces, it appears as too much like the vernacular hosted in the ladder so much to give local color to the event.
Tony Effe. (Getty Images)
Brunori Sas, The walnut tree. VOTE: 9
Gregorian masterpiece (in the sense of Francis). Why? Because the song aims at a summit that never reacheswhile anchoring the descriptions to tangible and meaningful elements. With a lap of spirals, Bruori ineptly ineptly, crackling The soul between lost hopes and desire for reconquest. We will look at the stars, but it is not a useless activity.
Fashion, I don’t forget. VOTE: 5
Rock share. And you have to put your hands in the hair if you think that In the genre – just before – there was the marketing of the Maneskin here in Sanremo, which however had at least the glamor on its side. They risk leaving as a trace of Sanremo 2025 only Kekko’s injury on the Ariston stairs.
Clara, Fever. VOTE: 6
With a crazy dress I see I don’t seeClara is reconfirmed sexy interpreter, counteracting roses, even if it is forbidden to put women against the other, see Sanremo 1986. The allure is evident, also the generality of the piece. Strong and pushed like a thousand others.
Lucio Corsi, I wanted to be a tough. VOTE: 8/9
Come out of a vintage movie of the seventies, There in an undeciphered area between mime and spirit of the trees, and glam rock in the look, Lucio Corsi is an insect that is listened to with all the curiosity of the case. Resistance demolished, letting himself be invaded by his world is an enriching experience. Not can be reviewed for the umpteenth time Labyrinth To declare strange once a year.
Lucio Corsi. (Getty Images)
Fedez, BeatVote: 7/8
Black eyes like on the green carpet and trembling hands, Fedez wins with the beat. At this point of the personal weaves, ex -wife and lovers and gossip, the text applies to what is worth. Instead, the intensity of the performance is worthperhaps the best ever among his Sanremo. Honestly angry and violent.
Bresh, The la thhea of the crab. VOTE: 5
Ruvido charm, Rkomi’s brother Street, holds the scene with a folk song of the spite and denunciation. It helps a lot in the interpretation light dark circles that give him that manufacturing of the factory. Who knows if his repertoire, in the future, will go hand in hand.
Sarah Toscano, Amarcord. VOTE: 6/7
Better than others, Sarah managed to pack a piece with a good constructiontragically suspended between Beat and Melody has the strength of an unpublished nail polish. The look is less effective, which on the youngest singer of Sanremo 2025, knows of choice made by mother for her daughter.
Joan Thiele, Echo. VOTE: 8/9
With a persuasive piece like the ambient atmospheres of the sixties, Thiele goes beyond the average of the Festival thanks to an enveloping song that knows of memories and a thread of regret. Special presence, androgynous look with heroin cape and long braid, it is to be hoped that it does not go unnoticed between Easy Glamor peaks and songs a copy of a thousand melodies.
Joan Thiele. (Getty Images)
Rocco Hunt, A thousand vote again. VOTE: 7 and a half
Still Naples, but this time with a logic of heart and claim. And rhythm that deceives the high message of complaint on a reality of misery and death. He will not revolutionize the genre, this song, but his work of attention does it does.
Francesca Michielin, Mud in paradise. VOTE: 5/6
Without exciting, Michielin, The lightning protagonist of a fall of auricular (the only moment of frisson of the evening, apart from the trofie of Clerici)he makes a rarely compelling song-Pinsegone. Tense on a wire of tension,
The Kolors, You with whom you make love. VOTE: 6
The formula is their own, e without restraint the boys continue to beat it. They should change, no, they found the size where to operate and tell. And in fact, here they are to present the disc for the summer without camouflage of any kind.
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