Finally, on Women in Music Pt III, Haim resorted to a sound that seemed as raw as energetic and accompanied stories, which were more likely to find their roots in the border area of imposition and disappointment. A cathartic album that the producers: Inside Danielle Haim, Ariel Rechtshaid and Rostam Batmanglij with many references, which sometimes indicated in the 1970s, sometimes in the hip-hop of the 1990s-and sometimes it seemed sketchy.
This complexity, since one of the assets of the three sisters, has remained, and the Californians still look into the music history with waking eyes. And yet there is a difference to the predecessor album: the dark clouds have moved out and made a steel blue sky, Haim work Councilor, move closer to the classic song than ever before, even if they also change through a wide variety of rooms.
Pop should heal and not pain
We hear how the three analog structures approach, “Take Me Back” licks folk and indie rock in the violent-femin’s sense. On “Gone” and “Cry” they wave towards soul and gospel. “Love You Right” leads to the Fleetwood Mac of the Rumors era without detours, while “spinning” runs on a disco beat.
One may perceive this as pleasantly eclectic or irritatingly contourless, but it is like this: All of these songs are staged so precisely and so smart about the voices of the three, that a very consistent flow of music arises, especially since, whenever Haim threatens to be too cozy, still throwing Bömbchen, be it the drone guitars in “Lucky Stars” or the stumbling. “Blood in the Street”. As I said: Bömbchen. They don’t really hurt. Why also, pop should heal and not pain. Especially when it comes from California.
You can find out which albums were published in June 2025 via our monthly publication list.