On his Facebook account, the writer Nicolas Marquez He gave some tips to carry out physical exercises in the gym in an entertaining and effective way. In a video uploaded to social networks, the co-author of “The black book of the new left” and “Milei, the revolution they did not see coming” He revealed a little-known side of his life by suggesting doing the abdominal circuit while listening to the music of Roxette.
“I played Roxette to give me energy. What a tremendous pop band,” said Márquez and recalled: “A waterfall of hits so well done. It takes me back to high school and the graduate trip.” “The Chetos listened to Roxette. I was always faithful to Miguel Mateos, but outside of that dilemma I listened to Roxette. Today from a distance I reclaim it,” highlighted the intellectual, mentioning the legendary Swedish duo composed of Per Gessle and the late Marie Fredriksson.
With the recording, the ultra-conservative intellectual from Mar del Plata once again installed the musical theme in his virtual conversations, after his controversial statements against the singer Carlos “Indio” Solari, former leader of Patricio Rey y sus Redonditos de Ricota and Los Fundamentalistas del Aire Adiciones upon announcing his physical departure on Friday, June 5 at the age of 77 at his residence in Parque Leloir. That weekend, Márquez made clear his displeasure with the vocalist’s work and personality.
“The Kirchnerist businessman Carlos Solari burst. A great merchant in the industry of rebellion, his product never even crossed the borders of neighboring countries nor did he ever innovate any musical genre. He was in effect an original coastal merchant who sold subversion to the masses lacking identity. His lyrics promoted drugs, lumpenage and satanism, while his music was characterized by plebeian rock with a tango tone and its “Huge profits were always stored in imperialist dollars. May our Lord have mercy on his soul,” was the farewell message that the writer published on his X account.
Far from condolences and good memories, Javier Milei’s biographer dedicated himself to defenestrating on his digital platforms both the followers and the composer of emblematic national rock classics such as “Preso en mi ciudad”, “El pibe de los astilleros” and “Jijiji”. Sharing a television fragment of the call for the “ricotera mass” on Friday afternoon in Plaza de Mayo, on his Facebook account, Márquez posted: “Extraordinary meeting of the Academic Council of Yale University.”
Another well-known aspect of Márquez is his passion for Miguel Mateos, who remembered him in a series of virtual messages. “In the face of so much propaganda of plebeian, precarious rock, purely cabotage and with followers intoxicated by years of lack of culture and the consumption of paco, there is nothing better than to counter with the greatest exponent of Spanish-speaking world rock. Trained for years in the conservatory in piano and guitar, he played with the best musicians in the world and continues to fill the large international stadiums that go from Canada to Tierra del Fuego, even passing through Europe. This and much more is Miguel Mateos today,” highlighted the intellectual, in a highly unnecessary comparison between the former ZAS vocalist and Solari.
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