In recent weeks, Mariana Brey became a problem and a solution to Telefe and C5Nthe channels where he works. Problem, because its efficient and irreverent behavior would no longer be liked by their classmates, and solution, because their vehement opinion generates that its content is first replicated, at the rating and second points, on social networks. But this unexpected media hurricane broke into the screen with a repeated formula: to celebrate each measure of the president, in this case, Javier Milei, and embody with his libertarian policy. Thus, their live defenses surprised their own and strangers. He was no longer the usual panelist, but a convinced journalist, willing to endorse his ideas with conviction and not to doubt whether to his discursive defense had to add some grievance to which he thinks differently.
The basal stone was institutionalized on May 12, when Milei chose it for an exclusive interview at Casa Rosada. “He sees me as an honest person, but I have to criticize him, I criticize him,” Brey said at the end of the talk and was taken by him as a sign of authentic loyalty. Since then, his presence in “A La Barbarossa” for Telefe’s family sign. He ceased to be an occasional panelist and began an ideological crusade, backed with his own program as “indomitable”, along with Diego Brancatelli, his ideological nemesis but his work mirror. If he gave him many benefits to be the media squire of Kirchnerism -with a book included, where he is seen to make the sign of the victory with his hand -she would be the protective dragon of Milei.
Beginnings. Native of Quilmes, Mariana Elisa Brey was born on April 26, 1977. His first steps traveled between the halls of Magazine, America TV and the thirteen, where he became known as a notary and show panelist in cycles such as “Summer Good”, “Infama” and “Los Angeles de la Moria”. His face appeared in the most commented highlights, but his voice, until recently, only commented on celebrities. Today he questions the economic policy of the K, defines ideological directions and defends reforms with an unusual ardor.
After the interview with Milei, the conviction of Cristina Kirchner He tension again the link he has with his colleagues, who do not accept that he can and wants to change the journalistic section. He is no longer interested in the show and the political framework. Which lone wolf, the crack was deepening by celebrating the household prison of the former president and defended the libertarian policies of Freedom Avanzawhich generated a first line of enemies such as Nancy Pazos, Julia Mengolini and Pablo Duggan. And for being new in this I met, the destroying, the insult and the underestimation was the first currency.
At war. It was in the “A La Barbarossa” program where the professional bonanza gave way to tension. And the clash with verbourty Nancy Pazos He was swift to discuss CFK’s condemnation. They exchanged blunt verbal shots. Brey demanded that Cristina be “treated as one more citizen” and criticized to ask for home prison. Pazos replied: “Do you want a minute of glory?” The exchange grew so violent that Barbarossa had to intermediate. Insults, interruptions and repeated chicanas. The study became a television ring in the best Anabela Ascar style in TV chronicle.
Then came the intervention of Julia Mengoliniwho in his radio program in Futurock called her “Canalla”, “Degenerate”, “Very Boluda” and “Wanting to become an official spokeswoman for the Government”. In turn, he stressed that he rises to power as a “tilinga accustomed to flashes.” And if there was no clear opinion, as invited in the Streaming Blender, he finished off his idea with a disqualifying and little sororo nickname: “Fascist cat”.
With several open fronts, it was the turn of Pablo Duggan Who tense the rope even more: “It shows that it has no formation or analysis, she is very fanatic and provocative,” he shot in her publishers that they do not resist any file. He also said that Brey makes “many information errors”, and that his crosses with Pazos are “so violent that they end up being unpleasant.” “I do not see her interested in dialogue, but in imposing her opinions and small,” he closed, and stated that, “on television, that attitude can generate rating but not fidelity.”
“The directors of the Indalo Group are not convinced by Mariana Brey because they became a dilemma. It is a door to freedom that they do not want to close, but the audience repels it,” says a C5N producer to news when consulted by her activity in the signal.
The cycle “Indomitable”led by Brey and Diego Brancatelli, he was abruptly raised from the C5N grid without an official statement that explains the reasons. Although the background is evident. The lit discussions between Brey and the guests, because the former chimpiment journalist now defends the president’s libertarian measures to the president Javier MileiThey became intolerable. This unpublished discomfort in the signal of the Indalo Group, which until its arrival had the same political identity, also reached the viewers, who turned their anger by X and Tiktok and ended up evidencing the decline in the signal. Another factor that demonstrates that Brey’s presence pends a thread on the channel was the debut of his current enemy Nancy Pazos With “Artisanal Intelligence”, who began his programs forgrowth of being a political journalist for 40 years, to the detriment of his opponent, who until a few months ago commented on the fate of the Caniggia and Tinelli. At the moment, Brey alternates his participation in the “Hard Domar” program, but with expiration date in sight.
In recent days, his presence was changing program in program but always as the counterweight to Kichnerism, which irritates all the defenders of Cristina. “Its hours in C5N are counted but because it is a forced relationship, which does not flow, it is not organic. Its temperament is uncontrollable and nobody wants it in its program,” concludes the source asking for the reserve of its identity.
With his field of interaction fenced and full of uncertainty in C5N, and with the pressure of Nancy Pazos in Telefe, where his career and his direct link with politics constantly curb, Brey seems to have found his place in the world in the channel of Alejandro Fantino Streaming Neurawhere the editorial line is very close to “La Libertad” that President Milei prices. There, nobody contradicts her, she is the driver and the villains of history are common to all: Cristina Kirchner, La Cámpora, Juan Grabois, Lázaro Báez, Amado Boudou And the signatures continue.
Present. Today, Brey seems to travel two worlds, that of the show, where he retains the ease and style to generate viral notes, and that of politics, where he aspires to become a transmission belt of the government. Its digital brightness is not anecdotal, with 1 million followers on Instagram and an increasing audience in X, actively participates in online political chats, lives from Like, Share, Story and Post. Your favorite material: the “indomitable” clips, confrontations to the edge and forceful phrases that trigger intenting interactions.
Thus, as in a modern story, Brey detached himself from his layer of chimentos and self -positioned himself as a polarized voice, close to power and dominant on the agenda. Your media halo reminds of the Brancatelli But with the opposite sign. And as every good protagonist of a political story, sows incontestable doubts: Are you building a journalistic space with autonomy, or is it the advertising channel of a power?
Mariana Brey It is in the middle of the route, in the most dangerous curve. His next chapter is written live, day by day, in front of a country that observes and rejects it or admires it. And she, from the table of the program to be doing, even if she does not seem, repeats and intends to convince: “I am impartial, I say what I think.” Is it true? Or just another staging of a journalist who at this time serves this character? One way or the other, Today it is becoming the Brancatelli de Milei.
