Un director leaving the hall of an awards ceremony: a striking gesture, capable of sparking debate. It happened to Golden Globes 2025Where Luca Guadagnino suddenly left the Beverly Hilton in Los Angelesgiving the public a little mystery on the red carpet. His exit, immortalized by cameras and quickly spread on social media, sparked a debate storm of hypotheses: star whim, professional disappointment or simple coincidence? For now, no response.
Luca Guadagnino, his films competing at the Golden Globes
Guadagnino was present at the Golden Globes with two highly anticipated films: Challengerswith ZendayaAnd Queerwith Daniel Craig. Both films boasted weighty nominations. Challengers competed as best comedy or musicalas well as best leading actress, best soundtrack and best song. Queerhowever, was aiming for the award for best leading actor, thanks to Daniel Craig’s performance. However, the director had to settle of a single recognition: the Golden Globe for best soundtrackassigned to Challengers.
Abandonment and “suspicious timing”
Guadagnino’s exit from the room, which occurred immediately after the victory of Emilia Perez in the Best Comedy or Musical category, it raised doubts. As highlighted by the site DeadlineThe moment of his departure it appears at least “suspected”. The video, which shows a Guadagnino fromgloomy expression quickly leave the ceremonysparked a debate between fans and industry insiders. Some suggest that the director may have been disappointed by the failure to win Challengersothers talk about a possible personal unexpected event.
Awards and disappointments of the evening
Despite the triumph for the soundtrack of Challengersthe The evening did not give Guadagnino all the satisfaction he had hoped for. Zendaya, the film’s protagonist, failed to win Best Actress in a Comedy or Musical, while the song Compressco-written by the director himself, did not prevail in the best original song category. Also Queer was left empty-handed, with Daniel Craig beaten by Adrien Brodyawarded for his performance in The Brutalist.
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