In the career of the Cagliari defender there are many episodes in which he is the protagonist of reds earned, received and fouls at the limit. The ancient art of provocation returns thanks to the Colombian, after the era of Passarella and Poulsen
Like Jessica Rabbit: Yerry Mina isn’t evil, they just draw him that way. Preceded by the reputation of a provocateur, the statuesque Colombian defender who seems to have come out of 70s football – when there were a couple of cameras following the match – is there a little, he does a lot. With his deeds and misdeeds, he has carved out the figure of the tempting devil who perhaps foments and probably incites, so his adversaries assure, but in the end he suffers and we spectators are always left with only the next sequence, where the man on the ground it’s always him who writhes in pain. His specialty is expulsions, of course: those of others. Mina is greatly feared because she leads to temptation. And then: Temptation Mina. This was reiterated by Marco Giampaolo, the coach of Lecce, who after the defeat against Cagliari, which resulted in numerical inferiority, explained that: “I told Rebic, not to fall into Mina’s trap”. And instead, alas, he fell for it.