SortWe will anre? No, better the Champions League. Mogolname of art by Giulio Rapetti, the legendary author of Italian music, did not follow the Festivalbut his opinion still made noise. Guest of A sheep day On Rai Radio1spoke of the value of the songs, the weight of emotion and the need to adapt to the times. AND On Giorgiaone of the most loved voices on the music scene, expressed an opinion destined to make people discuss.
Giorgia in Sanremo: What did Mogol said about his voice?
Mogol recognized Giorgia’s indisputable talent, but underlined a crucial aspect of his interpretation: «I would gladly offer Giorgia, free of charge, a course from us, He has a fantastic voice but sings how he sang thirty years ago, he uses the voice too much. Which, for heaven’s sake, is beautiful, but uses it as it was done in the past ». According to the lyricist, the problem is not the vocal power, but the ability to communicate authenticity: «The rumor must be credible for what he saysis the credibility that manages to excite ».
An observation that sounds more like a paternal advice than as a sterile criticism. Of course, Giorgia’s invitation to “return to school”perhaps attending his, the “European Center of Toscolano” in Umbria, could play as an act of harmful majesty. But, after all, even in music you never stop learning.
Giorgia and the disappointment of sixth place in Sanremo 2025
The Sixth place of Giorgia in Sanremo 2025 with The cure for me he surprised many and left a sense of bitternessespecially considering his intense and technically impeccable performance. For Mogol, however, the placement could be linked precisely to the way the singer manages the voice: A very powerful stylistic imprint but perhaps less in tune with the current musical sensitivity. A point of view that opens a wider reflection on the link between the artistic evolution and the perception of the public.
Mogol promotes Cristicchi: “He has a very nice text”
The only song that Mogol listened to and commented positively was When you are small by Simone Cristicchi. “It has a very nice text”said, dismantling the criticisms on an alleged excess of personalism and on the “romanticization” of taking care of a person sick from Alzheimer’s: “The criticisms about the too personal Esser are all nonsense”. The song, among the most discussed of the competition, divided public and criticism, but found a sincere admirer in the lyricist.
Sanremo and useless controversies
Although not following the festival, Mogol did not spare a reflection on the direction taken by the event: «I believe that level songs are the only way to increase the cultural levelthere is no other. “
And launched one arrow to past editionsconducted by Amadeus, in which There has been more talk of scandals and provocations than music: «In the past the summit touched himself because two men kissed or because one destroyed the flowers. Here, we We must not do these things to increase listening. Listening must go up for the value of the songs, not because one gets up and pees on the stage, I don’t give a damn about these things ».
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