RImportant lipsticks havewith shades of red and burgundy that make the lips head again, while Each skin is very brightof an iridescence that seems to come from inside, ethereal and eternal. At the Paris Haute Couture PE 2025, beauty is made of detailsis not excessive but measured and laid, almost whispered.

Paris Haute Couture PE 2025, the Best Beauty Look

Chanel’s red lips

Pending the debut of the new creative director Matthieu Blazy next September, Chanel celebrates 110 years of Haute Couture at the Grand Palais. On a catwalk that recreates the famous double C, the whole history of the Rue Cambon Maison parades. Fil Rouge, it is appropriate to say it, it’s lipstick. Red, of course.

Intense reds stand completely on a luminous and pink skin. In three different shades: lipstick 31 Le Rouge Mat n 21 Rouge Rencontreand two shades of the lipstick Rouge Allure Velvetnumber 449 Sophistiquée And 458 Sensuelle. With a single declaration intent: reiterate that the scarlet lips, opaque but with a soft effect, have returned to remain.

From the left, the beauty looks of Armani Privé, Dior, Chanel Haute Couture

Dior & Alice in Wonderland

It is an alice (not only) fallen into wonderland, but determined to stay there, perfectly adapted to the eccentricity of the place. The protagonist dElla parade Dior Haute Couture PE 2025 wears chic headdresses made with sails, tulle flowers and long feathers CHemont are very narrow and glossy French braids. The result? Real crests, as if the punk paraded in Avenue Montaigne.

(Photo by Victor Virgile/Gamma-Ripho via Getty Images)

To balance so much “decorativism” of the hair, the Make up Esenizale signed Peter Philips, Director of the creation and image of Dior’s make -up who, as he said, made a Pure, glow and bright look, focused on graphic flow and ancient pink blush obtained alternating Rouge Blush Color & Glow, 257 Dioriviera, 287 Dioramour, 457 Dorette or 757 Wildior. Without forgetting theDiafano incarnate made with the Dior Forever Skin Perfect. For a sophisticated but strong punk.

The play of lights and shadows of Ueda Hiromi, Global Makeup Artist Armani

A few steps from the Arco di Trionfo was staged Lumièresthe Collection that celebrates 20 years of Armani Privé. A journey between lights and shadows, the same ones who inspired Hiromi Ueda, Global Makeup Artist Armani, for the make -up.

«The make -up of the Giorgio Armani Privé spring summer 2025 fashion show is inspired by the theme of the collection, Lumièreswhich celebrates a film game of lights and shadows. The goal was to enhance the brightness of the face, sculpting it with plays of light and shadow for a multidimensional effect. The contrast between black and white, opaque and sparkling, creates the illusion of a moonlight that shines in darkness “says the make -up artist in the backstage.

Photo Courtesy Armani Beauty

To make this eternal game of light and darkness it started from the base, opting for a Contouring whose dark part was created by choosing five times darker shades of the natural incarnate. To which a veil of Power Fabric+, To give radiator. #99m of Eye Tint Instead, it is the shade that applied from the internal and external corner of the eye to the hairlinein a dark color wing.

Giambattista Valli, leather and hair of dew

Rugiada and crystal powder seem to cover the faces on the catwalk Giambattista Valli Couture. Evolution of the Glass Skin that is so depopulated on social media, this make up creates a wet effect on the key points of the face where it beats the light, giving three -dimensionality. To emphasize, the blush that defines the cheekbone, applied to almost the attachment of the hair. Another detail? The eyebrows perfectly drawn, almost chiseled.

Note also the Hairstyles: sculptor of low queues with deep side row alternating with crops with shaped tuft on the forehead as in the time of the charleston. All perfectly glossy and bright.

Valentino, ageless beauty

It is the first high fashion show by Alessandro Michele for Valentino, and the theme is Vertigineux. A real vertigo between very large clothes, crorses, rouches, overlaps, crystals, flakes and jersey processes. And the beauty? Timeless and agelessjust like the 48 looks proposed. The faces are diaphanous and candid, some very young, others marked by time.

(Photo by Victor Virgile/Gamma-Ripho via Getty Images)

The make up is at a minimum: only a veil of natural gloss like the one worn also by Marie Sophie Wilsontop model in the nineties and muse of Peter Lindberg and John Galliano. And that today, at sixty, he continues to parade. And he is not the only woman over on the catwalk by Alessandro Michele who, not taking into consideration the age, chooses an eternal and timeless beauty, Also made of some wrinkle and long silver hair. For an act of claiming beauty, at all ages.

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