In a world where it sometimes feels like you’re losing control, it can be reassuring to prepare for different possible future scenarios. Trend researcher Jan Agelink takes up this idea in his forecast for spring/summer 2026, which is entitled ‘Pluriverse’.

“There is a lot of speculative design – designs that respond to possible future scenarios,” explains Agelink. These designs simultaneously test people’s reactions. He describes society as being in a “transitional period,” characterized by mistrust, the need for connection and the central importance of imagination. In this society people look for places to meet – so-called “third spaces”. These are neither homes nor workplaces, but rather community spaces such as parks or libraries. The focus here is on playfulness, craftsmanship and joy. At the same time, you look into the future and ask yourself how it should be shaped. On the one hand, this means innovative use of existing resources, but on the other hand, it also means the desire for a relaxed lifestyle.

Pluriverse: Men can live in SS26 neighborhoods for their own sake

Agelink divides consumer trends into three narrative strands, each with its own mood and focus: Newstalgia, Work in Progress and Green Industries. The last theme is particularly impactful because it offers a hopeful perspective.

Green Industries is about establishing the concept of regeneration as a future model. Regeneration describes biological processes of renewal and reconstruction, similar to lizards that can regrow their tails.

Dries van Noten SS25. Credits: Launchmetrics Spotlight
Dries van Noten SS25.
Dries van Noten SS25. Credits: Launchmetrics Spotlight

With this theme, Agelink takes you into a botanical world where nature and gardens serve as a source of inspiration for designers. Examples include “Expedition Wear”, inspired by mountaineering equipment, as well as floral prints and enlarged cellular structures that serve as the basis for patterns – the latter of which was seen at Dries van Noten’s show. The color palette is reminiscent of a field full of wildflowers: lots of green, delicate pastel tones and especially the contrast between lime green and pink.

FS26 according to trend researcher Jan Agelink

A motif that has long been visible in fashion is the feeling of nostalgia, combined with the mix of different styles and decades – from pop art to the voluminous silhouettes of the 1950s. The apparent break in style between archive pieces of different identities creates a surrealistic and dreamy aesthetic. Maximalism is expressly desired here, and Alessandro Michele’s first collection for Valentino serves as a source of inspiration.

Valentino, ready-to-wear collection “Pavillon des Folies” for Primavera/Verano 2025.
Valentino, ready-to-wear collection “Pavillon des Folies” for Primavera/Verano 2025. Credits: ©Launchmetrics/spotlight.
Valentino, ready-to-wear collection “Pavillon des Folies” for Primavera/Verano 2025.
Valentino, ready-to-wear collection “Pavillon des Folies” for Primavera/Verano 2025. Credits: ©Launchmetrics/spotlight.

Fabrics like paisley, jacquard and chintz dominate this theme, which is also the most colorful of Agelink’s SS26 forecast. The third theme, Work in Progress, is particularly memorable for its focus on craftsmanship and materials reminiscent of paper. Some designers use materials that look like cardboard or paper – examples include Issey Miyake or Camiel Fortgens with his “flat” designs.

Duran Lantink SS24
Duran Lantink SS24 Credits: Launchmetrics Spotlight
JW Anderson SS25 Menswear Milan Fashion Week
JW Anderson SS25 Menswear Milan Fashion Week Credits: ©Launchmetrics/spotlight

Oversized shapes and new volumes dominate here. Agelink refers to designers like Duran Lantink and JW Anderson. The associated color scheme is more minimalist: white, black, gray, brown, complemented by accents such as quince and ice blue.

Agelink’s trend forecast for FS26 gives hope. Despite uncertain times, there are no apocalyptic scenarios to be found. Instead, a future is sketched out that leaves room for design – be it through nostalgia, craftsmanship or regeneration. The message: Looking ahead is worth it.

This article previously appeared on Fashionunited.nl and was created using digital tools translated.

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