Dhere Morgan you say controversy. The first live show took place on Thursday 26 October X Factor 2023 and the judge – back in the talent show Sky One after 9 years – he indulged in criticism which has not gone unnoticed at all. To end up in her sights, this time, Annalisa and hers Beautiful.
X Factor 2023Morgan against Annalisa: «Beautiful it’s banal”
Ambra’s choice to assign the song to Matteo Alieno Pierotti sparked the judge’s ire. A performance not particularly appreciated even by the rest of the jury. In fact, the first to express his doubts was Fedez. «I didn’t like that you changed the melody of this song. You couldn’t improve it and so I didn’t like it,” he said.
MorganInstead, it’s even more trenchant. «You are so good that you can sing anything, anything. You sang a song that I honestly didn’t know, which I find incredibly banalwhich is nothing special. From a harmonious point of view it does not existnot even from a melodic point of view.”
In short, quite a lunge, even considering that Beautiful is one of the biggest recording successes of the year and which to date has achieved four platinum records.
The response of the producer Davide Simonetta
Beautiful it was written by Annalisa, Paolo Antonacci and Davide Simonetta, who also signs as producer with the pseudonym D.whale. It is the latter who responded to Morgan on X (formerly Twitter): «Never a success and explains things. What a splendid world.” He makes no references, but it seemed quite clear that he was referring to the judge.
When they wrote to him: «Everyone knows Morgan’s successes even today. Let’s see if in 10 years, even in 3, they will remember you”, he replies even more directly. «I’m an author, obviously no one will remember me. Except my son thanks to SIAE.” In short, an exchange of words that was certainly not calm.
Regarding Morgan, it is not the first time that the singer has launched into heavy criticism aimed at his colleagues. He often expressed negative opinions on hit songs or successful artists.
It’s at X Factor 2023 he did nothing but stay in line with his character and with its modus operandi. Of course, the criticism of Annalisa’s evident and irrefutable success could be specious, functional and who knows, perhaps it only served to add a little spice to the program.
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