Antoine Fuqua’s Michael Jackson biopic “Michael” has strong moments, but remains a hagiography. What the film hides – and what Jaafar Jackson achieves.
Michael Jackson traces the face of Peter Pan from his children’s book with his finger. He follows his nose with his finger – and then touches his own. His decision is clear. A few days later, he sneaks into the family’s Hayvenhurst estate, his nose bandaged, his hat pulled low over his face, with…
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