Series of the Week: “Funeral For A Dog” (Review & Stream)

There are worse things than having to travel to Lake Lugano for an interview with a writer, but Daniel Mandelkern (Albrecht Schuch) takes some worries with him: he has a falling out with his wife, he is gripped by general frustration, and the writer there even wants to don’t talk to him. It’s a good thing that he meets the interesting Finn Tuuli (Alina Tomnikow) on the trip – who then turns out to be the ex-girlfriend of Mark Svensson (Friedrich Mücke), the mysterious author in whose villa the journalist is even allowed to live.

https://www.youtube.com/watch?v=r_GLdkBW3Mc

Not everything is completely realistic in the film adaptation of Thomas Pletzinger’s novel “The Funeral of a Dog”, but the entanglements of the characters do not leave you indifferent, and elegant leaps in time and chic changes of location (Colombia, Finland, New York) provide additional tension. Soon it’s about life and death, but above all about the question of what love can endure. The only drawback: A cockfight doesn’t have to be shown in epic proportions, that’s not an original show effect, just repulsive. (Sky)

SIMILAR REVIEWS

Series of the week: Severance

Starring Adam Scott, Patricia Arquette, John Turturro

Series of the week: Wolf Like Me

Starring Isla Fisher, Josh Gad, Ariel Donoghue

Series of the week: “The Afterparty”

with Tiffany Haddish, Sam Richardson, Ben Schwartz

SIMILAR ARTICLES

Series of the week: “The Funeral”

The ARD six-parter with improvised dialogues and a great cast is terribly realistic, sometimes it veers into the slightly grotesque.

Series of the week: “The discounters”

A lot was improvised in only 23 days of shooting, most of it is actually very funny. There’s a bit too much fecal humor and cheap punchlines, but what’s really a shame is that the season ends with a gag reflex – in episode nine, while the tenth only shows a making-of.

Show of the week: “American Rust”

Sober, intense narrative of bleak life plans, wrong decisions, guilt and atonement – ultimately a drama about the decline of the American middle class.

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