THEThe rebound of a ball, the noise of the steam that goes up, the scent of energy after a victory. To Paris Fashion Week, Lacoste spring-summer 2026 transforms The Eiffel Hall of the Lycée Carnot in a poetic locker room Where fashion and sport intertwine in a sensual dialogue. There, between shiny tiles and steam curtains, the creative director Kolotouros Pelagia Rereading the DNA of the crocodile brand with a new language: less competition, more emotion. An ode to imperfection, vulnerability and that lightness that only authenticity can return.
Lacoste pe 2026: the locker room becomes dreamlike catwalk
In the historic Parisian school, iron and glass jewel of 1895 signed Hector Degeorge, the atmosphere is suspended between dream and reality. Guests – from Venus Williams to known faces of cinema such as Adrien Brody and Michelle Williams – cross A set of curved towel and soft lights. The “locker room” becomes an introspection scenea place where the body strips the tension to literally wear freedom. Kolotouros chooses this space to tell it Sport as a state of mind, not as a performance: A moment of intimacy shared between victory and defeat.
Lacoste PE 2026 parade, one of the looks on the catwalk
Fluid elegance and imperfection as strength
The Lacoste Spring-Summer 2026 collection explores the beauty of the incomplete: Polish unbuttoned, Loose suits, TRENCH-VESTAGLIA who sway like veils of lightness. The textures alternate as emotional states – wet effect nylon, shiny sponges, transparent organs And tropical wools – restoring the physicality of sport filtered by a fluid and sophisticated elegance. Athletic inheritance becomes stylistic gesture, balance between comfort and sensuality.
Lacoste, the crocodile reinvents itself with French Savoir-Faire
“Tennis for Everyone” and “Only for Tennis” flow like ironic mottos on popelines and sponges, reiterating the democratic bond of Lacoste with sport. Iconic crocodile is reinvented with embroidery inspired by the grass fields, Tribute to French Savoir-Faire and the legacy of René Lacoste. Next, the archive return of the Lenglen bag: handles that evoke handlers of rackets and folds reminiscent of the pleated skirts of the 1930s.
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