Many sexual allusions are hidden in their new album The Life of a Showgirl.
Taylor Swifts twelfth studio album the life of a showgirl is here! And while her last record “The Tortured Poets Department” rather in muted colors, the new work sprays in front of glitter and euphoria – probably also because of the love for Travis Kelce. The joie de vivre of the show girl shows itself in alluded lyrics that swifties have immediately stimulated worldwide.
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Because: Many lines sound after rather intimate declarations of love to NFL star Travis Kelce. They have been a couple for two years, even officially engaged since August-and on the album it sounds as if Taylor is already slowly wanting to herald the “Hot Wifey” era.
“Wood” is clearly ambiguous
Particularly discussed on social media, Track nine by The Life of a Showgirl. This is called “Wood” and already gives an idea of what it could be about.
The lyrics states: “Forgive me, it sounds cocky. He ah-matized me and opened my eyes. Redwood Tree, it ain’t hard to see. His love was the key that opened my thighs.”
With this line, she also makes it clear that Travis Kelce seems to be the right one: “Girls, I Don’t Need To Catch the Bouquet to Know a Hard Rock is on the Way” she alludes to the engagement ring here?
And in another line (“The Curse on me was broken by your magic wall. New Heights of Manhood.”) Many fans listen to several hints: on Kelces Podcast “New Heights” with brother Jason – and on the “magic wand” of the footballer.
More references on the album
The opener “The Fate of Ophelia” plays the moment when Kelce asked the singer for a meeting over his podcast.
“Opalite” (Track Drei) is said to be about Travis Kelce’s birth stone, the opal. Track five, “Eldest Daughter” is about marriage. “Wi $ h Li $ t” is about the future, family and children who “look like you”. “Honey” is Track Elf on the album. That is Kelce’s pet name for Swift.
A new chapter – also musically
For the first time in over ten years, Swift did not work with Jack Antonoff, but also with Max Martin and Shellback-the producers who have already provided Dark-Pop moments during reputation. The result: an album that delivers both radio -compatible catchy tunes and intimate ballads.